
Box Set
Beethoven - The Complete Works 2019
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Release Information
Released:
2019
Artist: Beethoven
Genres: Classical
/ Styles: Romantic
, Opera
, Classical
, Orchestra
, Concerto
, String Instrument
, Sonata
, Piano
, Suite
, Symphony
, Serenade
, Chamber Music
, Art Song
, Mass
, Capriccio
, Dances
, String Ensemble
, Fantasia
, Overture
, Nocturne
, Theme With Variations
, Incidental Music
Country: Europe
Label: 0190295398828
(Warner Classics)
Barcode: 190295398828
Seller note
Brand new, sealed! One corner a bit damaged.Condition Grading
Media Condition: Mint (M)
Perfect condition. Unused, possibly sealed. Sound quality is flawless.
Sleeve Condition: Near Mint (NM or M-)
Near perfect. Very minor cosmetic signs. No tears or creases.
Record Tracklist
| № | Title | Duration |
|---|---|---|
| Symphony No.1 In C Op.21 | ||
| 1-1 | — Adagio Molto - Allegro Con Brio | |
| 1-2 | — Andante Cantabile Con Moto | |
| 1-3 | — Menuetto: Allegro Molto E Vivace | |
| 1-4 | — Finale: Adagio - Allegro Molto E Vivace | |
| Symphony No.3 In E-Flat Op.55 “Eroica” | ||
| 1-5 | — Allegro Con Brio | |
| 1-6 | — Marcia Funebre: Adagio Assai | |
| 1-7 | — Scherzo & Trio: Allegro Vivace | |
| 1-8 | — Finale: Allegro Molto - Poco Andante - Presto | |
| Symphony No.2 In D Op.36 | ||
| 2-1 | — Adagio Molto - Allegro Con Brio | |
| 2-2 | — Larghetto | |
| 2-3 | — Scherzo & Trio: Allegro | |
| 2-4 | — Allegro Molto | |
| Symphony No.5 In C Minor Op.67 | ||
| 2-5 | — Allegro Con Brio | |
| 2-6 | — Andante Con Moto | |
| 2-7 | — Scherzo: Allegro | |
| 2-8 | — Allegro - Presto | |
| Symphony No.4 In B-Flat Op.60 | ||
| 3-1 | — Adagio - Allegro Vivace | |
| 3-2 | — Adagio | |
| 3-3 | — Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro | |
| 3-4 | — Allegro Ma Non Troppo | |
| Symphony No.7 In A Op.92 | ||
| 3-5 | — Poco Sostenuto - Vivace | |
| 3-6 | — Allegretto | |
| 3-7 | — Presto - Assai Meno Presto | |
| 3-8 | — Allegro Con Brio | |
| Symphony No.6 In F Op.68 “Pastoral” | ||
| 4-1 | — Allegro Ma Non Tropo: Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande | |
| 4-2 | — Andante Molto Mosso: Szene Am Bach | |
| 4-3 | — Allegro: Lustiges Zusammensein Der Landleute | |
| 4-4 | — Allegro: Gewitter, Sturm | |
| 4-5 | — Allegretto: Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm | |
| Symphony No.8 In F Op.93 | ||
| 4-6 | — Allegro Vivace E Con Brio | |
| 4-7 | — Allegretto Scherzando | |
| 4-8 | — Tempo Di Minuetto | |
| 4-9 | — Allegro Vivace | |
| Symphony No.9 In D Minor Op.125 “Choral” | ||
| 5-1 | — Allegro Ma Non Troppo, Un Poco Maestoso | |
| 5-2 | — Molto Vivace | |
| 5-3 | — Adagio Molto E Cantabile | |
| 5-4 | — Finale | |
| Piano Concerto No.1 In C Op.15 | ||
| 6-1 | — Allegro Con Brio | |
| 6-2 | — Largo | |
| 6-3 | — Rondo: Allegro Scherzando | |
| Piano Concerto No.3 In C Minor Op.37 | ||
| 6-4 | — Allegro Con Brio | |
| 6-5 | — Largo | |
| 6-6 | — Rondo: Allegro | |
| Piano Concerto No.2 In B-Flat Op.19 | ||
| 7-1 | — Allegro Con Brio | |
| 7-2 | — Adagio | |
| 7-3 | — Rondo: Molto Allegro | |
| Piano Concerto No.5 In E-Flat Op.73 “Emperor” | ||
| 7-4 | — Allegro | |
| 7-5 | — Adagio Un Poco Mosso | |
| 7-6 | — Rondo: Allegro | |
| 7-7 | Rondo In B-Flat Woo 6, For Piano And Ochestra | |
| Piano Concerto No.4 In G Op.58 | ||
| 8-1 | — Allegro Moderato | |
| 8-2 | — Andante Con Moto | |
| 8-3 | — Rondo: Vivace | |
| Piano Concerto In D Op.61A (Arr. Beethoven After Violin Concerto Op.61) | ||
| 8-4 | — Allegro Ma Non Troppo | |
| 8-5 | — Larghetto | |
| 8-6 | — Rondo: Allegro | |
| Triple Concerto In C Op.56 | ||
| 9-1 | — Allegro | |
| 9-2 | — Largo | |
| 9-3 | — Rondo Alla Polacca | |
| Piano Concerto In E-Flat WoO 4 (Orchestral Score Reconstructed By Ronald Brautigam) | ||
| 9-4 | — Allegro Moderato | |
| 9-5 | — Larghetto | |
| 9-6 | — Rondo: Allegro, Ma Non Troppo | |
| Fantasia Op.80 “Choral Fantasy”, For Piano, Chorus & Orchestra | ||
| 9-7 | — Adagio | |
| 9-8 | — Finale: Allegro - Meno Allegro - Allegro Molto - Adagio Ma Non Troppo - Marcia, Assai Vivace - Allegro - Allegretto Ma Non Troppo (Quasi Andante Con Moto) - „Schmeichelnd Hold Und Lieblich Klingen” - Presto | |
| Violin Concerto In D Op.61 | ||
| 10-1 | — Allegro Ma Non Troppo | |
| 10-2 | — Larghetto | |
| 10-3 | — Rondo: Allegro | |
| 10-4 | Romance No.1 In G Op.40, For Violin & Orchestra | |
| 10-5 | Romance No.2 In F Op.50, For Violin & Orchestra | |
| 10-6 | Violin Concerto In C Woo 5 (Fragment) - Allegro Con Brio | |
| 11-1 | Coriolan Overture Op.62 | |
| 11-2 | Zur Namensfeier Overture Op.115 | |
| 11-3 | Die Weihe Des Hauses Overture Op.124 | |
| 11-4 | Leonore Overture No.1 Op.138 | |
| 11-5 | Introduction To Act II Of Fidelio (1805 Version) WoO 2B | |
| Wellington's Victory Op.91 (The Battle Of Vitoria) | ||
| 11-6 | — I. Marcia: Rule Britannia | |
| 11-7 | — II. Marcia: Marlborough | |
| 11-8 | — III. Battle | |
| 11-9 | — IV. Victory | |
| 11-10 | March No.1 In F Woo 18, For Military Band | |
| 11-11 | March No.2 In F Woo 19, For Military Band | |
| 11-12 | March In C Woo 20, For Military Band | |
| 11-13 | Polonaise In D Woo 21, For Military Band | |
| 11-14 | Écossaise In D Woo 22, For Military Band | |
| 11-15 | March In D Woo 24, For Military Band | |
| Egmont Op.84 | ||
| 12-1 | — Overture | |
| 12-2 | — No.1 Lied (Klärchen): “Die Trommel Gerühret!” | |
| 12-3 | — No.2 Intermezzo I | |
| 12-4 | — No.3 Intermezzo II | |
| 12-5 | — No.4 Lied (Klärchen): “Freudvoll Und Leidvoll” | |
| 12-6 | — No.5 Intermezzo III | |
| 12-7 | — No.6 Intermezzo IV | |
| 12-8 | — No.7 Musik, Klärchens Tod Bezeichnend | |
| 12-9 | — No.8 Melodrama: “Süßer Schlaf” | |
| 12-10 | — No.9 Siegessymphonie | |
| Die Ruinen Von Athen Op.113 / Die Weihe Des Hauses Hess 118 | ||
| 12-11 | — Overture | |
| 12-12 | — No.1 Chorus: “Tochter Des Mächtigen Zeus” (= Die Weihe Des Hauses, No.1) | |
| 12-13 | — No.2 Duet: “Ohne Verschulden Knechtschaft Dulden” (= Die Weihe Des Hauses, No.2) | |
| 12-14 | — No.3 Chorus Of Dervishes: “Du Hast In Deines Ärmels Falten” (= Die Weihe Des Hauses, No.3) | |
| 12-15 | — No.4 Marcia Alla Turca (= Die Weihe Des Hauses, No.4) | |
| 12-16 | — No.5 Musik Hinter Der Szene: “Es Wandelt Schon Das Volk Im Feierkleide” (= Die Weihe Des Hauses, No.7) | |
| 12-17 | — No.6 March With Chorus: “Schmückt Die Altäre”(= Die Weihe Des Hauses, No.6 = Op.114) | |
| 12-18 | — Recitative: “Mit Reger Freude, Die Nie Erkatlet” (= Die Weihe Des Hauses, No.8A) | |
| 12-19 | — No.7 Chorus & Aria With Chorus: “Wir Tragen Empfängliche Herzen”(= Die Weihe Des Hauses, No.8B) | |
| 12-20 | — No.8 Chorus: “Heil Unserm König”(= Die Weihe Des Hauses, No.9) | |
| 12-21 | — No.5 Dance With Chorus & Aria: “Wo Sich Die Pulse Jugendlich Jagen” … “Laßt Uns Im Tanze” (= Woo 98) | |
| König Stephan Op.117 | ||
| 13-1 | — Overture | |
| 13-2 | — No.1 Chorus: “Ruhend Von Seinen Taten” | |
| 13-3 | — No.2 Chorus: “Auf Dunklem Irrweg In Finstern Hainen” | |
| 13-4 | — No.3 Victory March: “Ihr Tapfren Krieger, Ungarns Stolz Und Zierde” | |
| 13-5 | — No.4 Chorus: “Wo Die Unschuld Blumen Streute” | |
| 13-6 | — No.5 Melodrama: “Du Hast Dein Vaterland, Dein Fürstenhaus Verlassen” | |
| 13-7 | — No.6 Chorus: “Eine Neue Strahlende Sonne” | |
| 13-8 | — No.7 Melodrama: “Ihr Edlen Ungarn” | |
| 13-9 | — No.8 Religious March: “In Der Schönsten Deiner Lebensstunden” … Melodrama With Chorus: “Heil Unserm Könige” | |
| 13-10 | — No.9 Final Chorus: “Heil! Heil Unsern Enkeln!” | |
| Muzik Zu Einem Ritterballet WoO 1 | ||
| 13-11 | — No.1 March | |
| 13-12 | — No.2 German Song: Allegro Moderato | |
| 13-13 | — No.3 Hunting Song: Allegretto | |
| 13-14 | — No. 4 Romance: Andantino | |
| 13-15 | — No.5 War Song: Allegro Assai Con Brio | |
| 13-16 | — No.6 Drinking Song: (“Mihi Est Propositum”) | |
| 13-17 | — No.7 German Dance (Tanzlied): Waltz | |
| 13-18 | — No.8 Coda: Allegro Vivace | |
| 13-19 | Triumphmarsch WoO 2A | |
| Insert Arias WoO 91 | ||
| 13-20 | — No.1 “O Welch Ein Leben” | |
| 13-21 | — No.2 “Soll Ein Schuh Nicht Drücken” | |
| 13-22 | Germania WoO 94 | |
| Leonore Prohaska Woo 96 | ||
| 13-23 | — No.1 War Chorus: “Wir Bauen Und Sterben” | |
| 13-24 | — No.2 Romance: “Es Blüht Eine Blume Im Garten Mein” | |
| 13-25 | — No.3 Melodrama: Feierlich Doch Nicht Schleppend | |
| 13-26 | — No.4 Funeral March: In Gehender, Annehmlicher Bewegungg | |
| 13-27 | Est Is Vollbracht WoO 97 | |
| 13-28 | Gesang Der Mönche WoO 104 | |
| Die Geschöpfe Des Prometheus Op.43 | ||
| 14-1 | — Overture: Adagio - Allegro Molto Con Brio | |
| 14-2 | — Introduction (La Tempesta): Allegro Non Troppo | |
| 14-3 | — No.1: Poco Adagio | |
| 14-4 | — No.2: Adagio - Allegro Con Brio | |
| 14-5 | — No.3: Allegro Vivace | |
| 14-6 | — No.4: Maestoso - Andante | |
| 14-7 | — No.5: Adagio - Andante Quasi Allegretto | |
| 14-8 | — No.6: Un Poco Adagio - Allegro | |
| 14-9 | — No.7: Grave | |
| 14-10 | — No.8: Allegro Con Brio - Presto | |
| 14-11 | — No.9: Adagio | |
| 14-12 | — No.10: Pastorale: Allegro | |
| 14-13 | — No.11: Coro Di Gioja: Andante | |
| 14-14 | — No.12: Solo Di Gioja: Maestoso - Adagio | |
| 14-15 | — No.13: Terzettino (Grotteschi): Allegro | |
| 14-16 | — No.14: Solo Della Signora Casentini: Andante - Adagio | |
| 14-17 | — No.15: Solo Di Viganò: Andantino - Adagio | |
| 14-18 | — No.16: Finale (Danze Festive): Allegretto | |
| 15-1 | Gratulationsmenuett WoO 3 | |
| 12 Menuette WoO 7 | ||
| 15-2 | — No.1 In D | |
| 15-3 | — No.2 In F | |
| 15-4 | — No.3 In G | |
| 15-5 | — No.4 In E-Flat | |
| 15-6 | — No.5 In C | |
| 15-7 | — No.6 In A | |
| 15-8 | — No.7 In D | |
| 15-9 | — No.8 In B-Flat | |
| 15-10 | — No.9 In G | |
| 15-11 | — No.10 In E-Flat | |
| 15-12 | — No.11 In C | |
| 15-13 | — No.12 In F | |
| 12 Deutsche Tänze WoO 8 | ||
| 15-14 | — No.1 In C | |
| 15-15 | — No.2 In A | |
| 15-16 | — No.3 In F | |
| 15-17 | — No.4 In B-Flat | |
| 15-18 | — No.5 In E-Flat | |
| 15-19 | — No.6 In G | |
| 15-20 | — No.7 In C | |
| 15-21 | — No.8 In A | |
| 15-22 | — No.9 In F | |
| 15-23 | — No.10 In D | |
| 15-24 | — No.11 In G | |
| 15-25 | — No.12 In C - Coda | |
| 6 Ländlerische Tänz | ||
| 15-26 | — No.1 In D | |
| 15-27 | — No.2 In D | |
| 15-28 | — No.3 In D | |
| 15-29 | — No.4 In D Minor | |
| 15-30 | — No.5 In D | |
| 15-31 | — No.6 In D | |
| 6 Menuette WoO 9 | ||
| 16-1 | — No.1 In E-Flat | |
| 16-2 | — No.2 In G | |
| 16-3 | — No.3 in C | |
| 16-4 | — No.4 In F | |
| 16-5 | — No.5 In D | |
| 16-6 | — No.6 In G | |
| 6 Menuette Woo 10 (Orch. F. Beyer After G. Cappi Piano Reduction) | ||
| 16-7 | — No.1 In C | |
| 16-8 | — No.2 In G | |
| 16-9 | — No.3 In D | |
| 16-10 | — No.4 In B-Flat | |
| 16-11 | — No.5 In E-Flat | |
| 16-12 | — No.6 In C | |
| 12 Contretänze WoO 14 | ||
| 16-13 | — No.1 In C | |
| 16-14 | — No.2 In A | |
| 16-15 | — No.3 In D | |
| 16-16 | — No.4 In B-Flat | |
| 16-17 | — No.5 In E-Flat | |
| 16-18 | — No.6 In C | |
| 16-19 | — No.7 In E-Flat | |
| 16-20 | — No.8 In C | |
| 16-21 | — No.9 In A | |
| 16-22 | — No.10 In C | |
| 16-23 | — No.11 In G | |
| 16-24 | — No.12 In E-Flat | |
| Mödlinger Tänze WoO 17 | ||
| 16-25 | — No.1 (Walzer) In E-Flat | |
| 16-26 | — No.2 (Menuett) In B-Flat | |
| 16-27 | — No.3 (Walzer) In B-Flat | |
| 16-28 | — No.4 (Menuett) In E-Flat | |
| 16-29 | — No.5 (Menuett) In E-Flat | |
| 16-30 | — No.6 (Länderer) In E-Flat | |
| 16-31 | — No.7 (Menuett) In B-Flat | |
| 16-32 | — No.8 (Länderer) In B-Flat | |
| 16-33 | — No.9 (Menuett) In G | |
| 16-34 | — No.10 (Walzer) In D | |
| 16-35 | — No.11 (Walzer) In D | |
| Sonata No.1 In F Minor Op.2 | ||
| 17-1 | — I. Allegro | |
| 17-2 | — II. Adagio | |
| 17-3 | — III. Menuetto: Allegretto - Trio | |
| 17-4 | — IV. Prestissimo | |
| Sonata No.2 In A Op.2 | ||
| 17-5 | — I. Allegro Vivace | |
| 17-6 | — II. Largo Appassionato | |
| 17-7 | — III. Scherzo: Allegretto - Trio | |
| 17-8 | — IV. Rondo: Grazioso | |
| Sonata No.3 In C Op.2 | ||
| 17-9 | — I. Allegro Con Brio | |
| 17-10 | — II. Adagio | |
| 17-11 | — III. Scherzo: Allegro - Trio | |
| 17-12 | — IV. Allegro Assai | |
| Sonata No.4 In E-Flat Op.7 | ||
| 18-1 | — I. Allegro Molto E Con Brio | |
| 18-2 | — II. Largo Con Gran Espressione | |
| 18-3 | — III. Allegro | |
| 18-4 | — IV. Rondo: Poco Allegretto E Grazioso | |
| Sonata No.5 In C Minor Op.10 No.1 | ||
| 18-5 | — I. Allegro Molto E Con Brio | |
| 18-6 | — II. Adagio Molto | |
| 18-7 | — III. Finale: Prestissimo | |
| Sonata No.6 In F Op.10 No.2 | ||
| 18-8 | — I. Allegro | |
| 18-9 | — II. Allegretto | |
| 18-10 | — III. Presto | |
| Sonata No.7 In D Op.10 No.3 | ||
| 18-11 | — I. Presto | |
| 18-12 | — II. Largo E Mesto | |
| 18-13 | — III. Menuetto: Allegro | |
| 18-14 | — IV. Rondo: Allegro | |
| Sonata No.8 In C Minor Op.13 “Pathétique” | ||
| 19-1 | — I. Grave - Allegro Di Molto E Con Brio | |
| 19-2 | — II. Adagio Cantabile | |
| 19-3 | — III. Rondo: Allegro | |
| Sonata No.9 In E Op.14 No.1 | ||
| 19-4 | — I. Allegro | |
| 19-5 | — II. Allegretto | |
| 19-6 | — III. Rondo: Allegro Comodo | |
| Sonata No.10 In G Op.14 No.2 | ||
| 19-7 | — I. Allegro | |
| 19-8 | — II. Andante | |
| 19-9 | — III. Scherzo: Allegro Assai | |
| Sonata No.11 In B-Flat Op.22 | ||
| 19-10 | — I. Allegro Con Brio | |
| 19-11 | — II. Adagio Con Molto Espressione | |
| 19-12 | — III. Menuetto | |
| 19-13 | — IV. Rondo: Allegretto | |
| Sonata No.12 In A-Flat Op.26 “Funeral March” | ||
| 20-1 | — I. Andante Con Variazioni: Thema | |
| 20-2 | — Variation 1 | |
| 20-3 | — Variation 2 | |
| 20-4 | — Variation 3 | |
| 20-5 | — Variation 4 | |
| 20-6 | — Variation 5 | |
| 20-7 | — II. Scherzo: Allegro Molto - Trio | |
| 20-8 | — III. Marcia Funebre Sulla Morte D'un Eroe. Maestoso Andante | |
| 20-9 | — IV. Allegro | |
| Sonata No.13 In E-Flat Op.27 No.1 “Quasi Una Fantasia” | ||
| 20-10 | — I. Andante - Allegro - Tempo I | |
| 20-11 | — II. Allegro Molto E Vivace | |
| 20-12 | — III. Adagio Con Espressione | |
| 20-13 | — IV. Allegro Vivace | |
| Sonata No.14 In C-Sharp Minor Op.27 No.2 “Moonlight” | ||
| 20-14 | — I. Adagio Sostenuto | |
| 20-15 | — II. Allegretto | |
| 20-16 | — III. Presto Agitato | |
| Sonata No.15 In D Op.28 “Pastoral” | ||
| 20-17 | — I. Allegro | |
| 20-18 | — II. Andante | |
| 20-19 | — III. Scherzo: Allegro Vivace - Trio | |
| 20-20 | — IV. Rondo: Allegro Ma Non Troppo | |
| Sonata No.16 In G Op.31 No.1 | ||
| 21-1 | — I. Allegro Vivace | |
| 21-2 | — II. Adagio Grazioso | |
| 21-3 | — III. Rondo: Allegretto | |
| Sonata No.17 In D Minor Op.31 No.2 “Tempest” | ||
| 21-4 | — I. Largo - Allegro - Adagio | |
| 21-5 | — II. Adagio | |
| 21-6 | — III. Allegretto | |
| Sonata No.18 In E-Flat Op.31 No.3 | ||
| 21-7 | — I. Allegro | |
| 21-8 | — II. Scherzo: Allegretto Vivace | |
| 21-9 | — III. Menuetto: Moderato E Grazioso | |
| 21-10 | — IV. Presto Con Fuoco | |
| Sonata No.19 In G Minor Op.49 No.1 | ||
| 21-11 | — I. Andante | |
| 21-12 | — II. Rondo: Allegro | |
| Sonata No.20 In G Op.49 No.2 | ||
| 21-13 | — I. Allegro Ma Non Troppo | |
| 21-14 | — II. Tempo Di Menuetto | |
| Sonata No.21 In C Op.53 “Waldstein” | ||
| 22-1 | — I. Allegro Con Brio | |
| 22-2 | — II. Introduzione: Adagio Molto | |
| 22-3 | — III. Rondo: Allegretto Moderato - Prestissimo | |
| Sonata No.22 In F Op.54 | ||
| 22-4 | — I. In Tempo D'un Menuetto | |
| 22-5 | — II. Allegretto | |
| Sonata No.23 In F Minor Op.57 “Appassionata” | ||
| 22-6 | — I. Allegro Assai | |
| 22-7 | — II. Andante Con Moto | |
| 22-8 | — III. Allegro Ma Non Troppo | |
| Sonata No.24 In F-Sharp Op.78 | ||
| 22-9 | — I. Adagio Cantabile - Allegro Ma Non Troppo | |
| 22-10 | — II. Allegro Vivace | |
| Sonata No.25 In G Op.79 | ||
| 22-11 | — I. Presto Alla Tedesca | |
| 22-12 | — II. Andante | |
| 22-13 | — III. Vivace | |
| Sonata No.26 In E-Flat Op.81A “Les Adieux” | ||
| 23-1 | — I. Das Lebewohl: Adagio - Allegro | |
| 23-2 | — II. Abwesenheit: Andante Espressivo | |
| 23-3 | — III. Das Wiedersehen: Vivacissimamente | |
| Sonata No.27 In E Minor Op.90 | ||
| 23-4 | — I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck | |
| 23-5 | — II. Nicht Zu Geschwind Und Sehr Singbar Vorzutragen | |
| Sonata No.28 In A Op.101 | ||
| 23-6 | — I. Etwas Lebhaft Und Mit Der Innigsten Empfindung - Allegretto Ma Non Troppo | |
| 23-7 | — II. Lebhaft, Marschmäßig - Vivace Alla Marcia | |
| 23-8 | — III. Langsam Und Sehnsuchtsvoll - Adagio, Ma Non Troppo, Con Affetto | |
| 23-9 | — IV. Geschwind, Doch Nicht Zu Sehr, Und Mit Entschlossenheit - Allegro | |
| Sonata No.30 in E Op.109 | ||
| 23-10 | — I. Vivace Ma Non Troppo - Adagio Espressivo | |
| 23-11 | — II. Prestissimo | |
| 23-12 | — III. Gesangvoll, Mit Innigster Empfindung. Andante Molto Cantabile Ed Espressivo | |
| 23-13 | — Variation 1: Molto Espressivo | |
| 23-14 | — Variation 2: Leggiermente | |
| 23-15 | — Variation 3: Allegro Vivace | |
| 23-16 | — Variation 4: Etwas Langsamer Als Das Thema | |
| 23-17 | — Variation 5: Allegro Ma Non Troppo | |
| 23-18 | — III. Variation 6: Tempo I Del Tema - Cantabile | |
| Sonata No.29 In B-Flat Op.106 “Hammerklavier” | ||
| 24-1 | — I. Allegro | |
| 24-2 | — II. Scherzo: Assai Vivace | |
| 24-3 | — III. Adagio Sostenuto | |
| 24-4 | — IV. Largo - Allegro Risoluto | |
| Sonata No.31 In A-Flat Op.110 | ||
| 24-5 | — I. Moderato Cantabile, Molto Espressivo | |
| 24-6 | — II. Scherzo: Allegro Molto | |
| 24-7 | — III. Adagio Ma Non Troppo - Recitativo Più Adagio | |
| 24-8 | — Arioso Dolente (Adagio Ma Non Troppo) | |
| 24-9 | — Fuga (Allegro Ma Non Troppo) | |
| 24-10 | — L'istesso Tempo Di Arioso (Perdende Le Forze, Dolento) | |
| 24-11 | — L'istesso Tempo Della Fuga Poi Di Nuovo Vivente - Meno Allegro (Etwas Langsamer) | |
| Sonata No.32 In C Minor Op.111 | ||
| 25-1 | — I. Maestoso - Allegro Con Brio Ed Appassionato | |
| 25-2 | — II. Arietta: Adagio Molto, Semplice E Cantabile | |
| Sonata In D Op.6, For Piano Four-Hands | ||
| 25-3 | — I. Allegro Molto | |
| 25-4 | — II. Rondo: Moderato | |
| Sonata In E-Flat WoO 47 No.1 “Kurfürstensonate” | ||
| 25-5 | — I. Allegro Cantabile | |
| 25-6 | — II. Andante | |
| 25-7 | — III. Rondo: Vivace | |
| Sonata In F Minor Woo 47 No.2 “Kurfürstensonate” | ||
| 25-8 | — I. Larghetto Maestoso | |
| 25-9 | — II. Andante | |
| 25-10 | — III. Presto | |
| Sonata in D WoO 47 No.3 “Kurfürstensonate” | ||
| 25-11 | — I. Allegro | |
| 25-12 | — II. Menuetto | |
| 25-13 | — III. Scherzando | |
| 7 Bagatelles Op.33 | ||
| 26-1 | — Andante, Quasi Allegretto In E-Flat | |
| 26-2 | — Allegro In C | |
| 26-3 | — Allegretto In F | |
| 26-4 | — Andante In A | |
| 26-5 | — Allegro Ma Non Troppo In C | |
| 26-6 | — Allegretto Quasi Andante In D | |
| 26-7 | — Presto In A-Flat | |
| 11 Bagatelles Op.119 | ||
| 26-8 | — Allegretto In G Minor | |
| 26-9 | — Andante Con Moto In C | |
| 26-10 | — Allemande In D | |
| 26-11 | — Andante Cantabile In A | |
| 26-12 | — Risoluto In C Minor | |
| 26-13 | — Andante In G | |
| 26-14 | — Allegro Ma Non Troppo In C | |
| 26-15 | — Moderato Cantabile In C | |
| 26-16 | — Vivace Moderato In A Minor | |
| 26-17 | — Allegramente In A | |
| 26-18 | — Andante Ma Non Troppo In B-Flat | |
| 6 Bagatelles Op.126 | ||
| 26-19 | — Andante Con Moto In G | |
| 26-20 | — Allegro In G Minor | |
| 26-21 | — Andante In E-Flat | |
| 26-22 | — Presto In B Minor | |
| 26-23 | — Quasi Allegretto In G | |
| 26-24 | — Presto - Andante In E-Flat | |
| 26-25 | Presto In C Minor WoO 52 | |
| 26-26 | Allegretto In C Minor WoO 53 | |
| 26-27 | Lustig - Traurig WoO 54 | |
| 26-28 | Bagatelle In C WoO 56 | |
| 26-29 | “Für Elise” In A Minor WoO 59 | |
| 26-30 | Ziemlich Lebhaft In B-Flat WoO 60 | |
| 4 Bagatelles WoO 213 | ||
| 26-31 | — No.1 In D-Flat | |
| 26-32 | — No.2 In G | |
| 26-33 | — No.3 In A | |
| 26-34 | — No.4 In A | |
| 26-35 | Allegretto In C WoO 214 | |
| 26-36 | Bagatelle In C WoO 216/1 | |
| 26-37 | Bagatelle In E-Flat WoO 216/2 | |
| 26-38 | Sonatina In F WoO 50 | |
| 6 Variations Op.34 On An Original Theme | ||
| 27-1 | — Theme | |
| 27-2 | — Variation 1 | |
| 27-3 | — Variation 2 | |
| 27-4 | — Variation 3 | |
| 27-5 | — Variation 4 | |
| 27-6 | — Variation 5 | |
| 27-7 | — Variation 6 | |
| 6 Variations In D Op.76 On A Theme From “Die Ruinen Von Athen” | ||
| 27-8 | — Theme | |
| 27-9 | — Variation 1 | |
| 27-10 | — Variation 2 | |
| 27-11 | — Variation 3 | |
| 27-12 | — Variation 4 | |
| 27-13 | — Variation 5 | |
| 27-14 | — Variation 6 | |
| 33 Variations Op.120 On A Waltz By Anton Diabelli | ||
| 27-15 | — Theme: Vivace | |
| 27-16 | — Variation 1: Alla Marcia Maestoso | |
| 27-17 | — Variation 2: Poco Allegro | |
| 27-18 | — Variation 3: L'istesso Tempo | |
| 27-19 | — Variation 4: Un Poco Più Vivace | |
| 27-20 | — Variation 5: Allegro Vivace | |
| 27-21 | — Variation 6: Allegro Ma Non Troppo E Serioso | |
| 27-22 | — Variation 7: Un Poco Più Allegro | |
| 27-23 | — Variation 8: Poco Vivace | |
| 27-24 | — Variation 9: Allegro Pesante E Risoluto | |
| 27-25 | — Variation 10: Presto | |
| 27-26 | — Variation 11: Allegretto | |
| 27-27 | — Variation 12: Un Poco Più Mosso | |
| 27-28 | — Variation 13: Vivace | |
| 27-29 | — Variation 14: Grave E Maestoso | |
| 27-30 | — Variation 15: Presto Scherzando | |
| 27-31 | — Variation 16: Allegro | |
| 27-32 | — Variation 17: Allegro | |
| 27-33 | — Variation 18: Poco Moderato | |
| 27-34 | — Variation 19: Presto | |
| 27-35 | — Variation 20: Andante | |
| 27-36 | — Variation 21: Allegro Con Brio - Meno Allegro - Tempo Primo | |
| 27-37 | — Variation 22: Allegro Molto, Alla “Notte E Giorno Faticar” Di Mozart | |
| 27-38 | — Variation 23: Allegro Assai | |
| 27-39 | — Ariation 24: Fughetta (Andante) | |
| 27-40 | — Variation 25: Allegro | |
| 27-41 | — Variation 26: (Piacevole) | |
| 27-42 | — Variation 27: Vivace | |
| 27-43 | — Variation 28: Allegro | |
| 27-44 | — Variation 29: Adagio Ma Non Troppo | |
| 27-45 | — Variation 30. Andante, Sempre Cantabile | |
| 27-46 | — Variation 31: Largo, Molto Espressivo | |
| 27-47 | — Variation 32: Fuga (Allegro) | |
| 27-48 | — Variation 33: Tempo Di Menuetto Moderato | |
| 2 Pieces WoO 51, For Orphica | ||
| 27-49 | — I. Allegro | |
| 27-50 | — II. Adagio (Fragment, Completed By Ferdinand Ries) | |
| 9 Variations WoO 63 On A March By Ernst Cristoph Dressler | ||
| 28-1 | — Theme | |
| 28-2 | — Variation 1 | |
| 28-3 | — Variation 2 | |
| 28-4 | — Variation 3 | |
| 28-5 | — Variation 4 | |
| 28-6 | — Variation 5 | |
| 28-7 | — Variation 6 | |
| 28-8 | — Variation 7 | |
| 28-9 | — Variation 8 | |
| 28-10 | — Variation 9 | |
| 6 Variations WoO 64 On A Swiss Song | ||
| 28-11 | — Theme | |
| 28-12 | — Variation 1 | |
| 28-13 | — Variation 2 | |
| 28-14 | — Variation 3 | |
| 28-15 | — Variation 4 | |
| 28-16 | — Variation 5 | |
| 28-17 | — Variation 6 | |
| 24 Variations WoO 65 On Vicenzo Righini's Arietta “Venni Amore” | ||
| 28-18 | — Theme | |
| 28-19 | — Variation 1 | |
| 28-20 | — Variation 2 | |
| 28-21 | — Variation 3 | |
| 28-22 | — Variation 4 | |
| 28-23 | — Variation 5 | |
| 28-24 | — Variation 6 | |
| 28-25 | — Variation 7 | |
| 28-26 | — Variation 8 | |
| 28-27 | — Variation 9 | |
| 28-28 | — Variation 10 | |
| 28-29 | — Variation 11 | |
| 28-30 | — Variation 12 | |
| 28-31 | — Variation 13 | |
| 28-32 | — Variation 14 | |
| 28-33 | — Variation 15 | |
| 28-34 | — Variation 16 | |
| 28-35 | — Variation 17 | |
| 28-36 | — Variation 18 | |
| 28-37 | — Variation 19 | |
| 28-38 | — Variation 20 | |
| 28-39 | — Variation 21 | |
| 28-40 | — Variation 22 | |
| 28-41 | — Variation 23 | |
| 28-42 | — Variation 24 | |
| 13 Variations WoO 66 On The Arietta “Es War Einmal Ein Alter Mann” From Karl Ditters von Dittersdorf's Singspiel “Das Rote Käppchen” | ||
| 28-43 | — Theme | |
| 28-44 | — Variation 1 | |
| 28-45 | — Variation 2 | |
| 28-46 | — Variation 3 | |
| 28-47 | — Variation 4 | |
| 28-48 | — Variation 5 | |
| 28-49 | — Variation 6 | |
| 28-50 | — Variation 7 | |
| 28-51 | — Variation 8 | |
| 28-52 | — Variation 9 | |
| 28-53 | — Variation 10 | |
| 28-54 | — Variation 11 | |
| 28-55 | — Variation 12 | |
| 28-56 | — Variation 13 | |
| 12 Variations WoO 68 On “Minuet À La Vigano” From Jakob Haibel's Ballet “Le Nozze Disturbate” | ||
| 28-57 | — Theme | |
| 28-58 | — Variation 1 | |
| 28-59 | — Variation 2 | |
| 28-60 | — Variation 3 | |
| 28-61 | — Variation 4 | |
| 28-62 | — Variation 5 | |
| 28-63 | — Variation 6 | |
| 28-64 | — Variation 7 | |
| 28-65 | — Variation 8 | |
| 28-66 | — Variation 9 | |
| 28-67 | — Variation 10 | |
| 28-68 | — Variation 11 | |
| 28-69 | — Variation 12 | |
| 9 Variations WoO 69 On "Quant'e Più Bello" From Paisiello's Opera "La Molinara” | ||
| 29-1 | — Theme | |
| 29-2 | — Variation 1 | |
| 29-3 | — Variation 2 | |
| 29-4 | — Variation 3 | |
| 29-5 | — Variation 4 | |
| 29-6 | — Variation 5 | |
| 29-7 | — Variation 6 | |
| 29-8 | — Variation 7 | |
| 29-9 | — Variation 8 | |
| 29-10 | — Variation 9 | |
| 6 Variations WoO 70 On The Duet "Nel Cor Più Non Mi Sento" From Paisiello's Opera “La Molinara” | ||
| 29-11 | — Theme | |
| 29-12 | — Variation 1 | |
| 29-13 | — Variation 2 | |
| 29-14 | — Variation 3 | |
| 29-15 | — Variation 4 | |
| 29-16 | — Variation 5 | |
| 29-17 | — Variation 6 | |
| 12 Variations WoO 71 On A Russian Dance From Wranitzky's Ballet "Das Waldmädchen" | ||
| 29-18 | — Theme | |
| 29-19 | — Variation 1 | |
| 29-20 | — Variation 2 | |
| 29-21 | — Variation 3 | |
| 29-22 | — Variation 4 | |
| 29-23 | — Variation 5 | |
| 29-24 | — Variation 6 | |
| 29-25 | — Variation 7 | |
| 29-26 | — Variation 8 | |
| 29-27 | — Variation 9 | |
| 29-28 | — Variation 10 | |
| 29-29 | — Variation 11 | |
| 29-30 | — Variation 12 | |
| 8 Variations WoO 72 On The Romance "Une Fièvre Brûlante" From Grétry's Opera "Richard Cœur de Lion" | ||
| 29-31 | — Theme | |
| 29-32 | — Variation 1 | |
| 29-33 | — Variation 2 | |
| 29-34 | — Variation 3 | |
| 29-35 | — Variation 4 | |
| 29-36 | — Variation 5 | |
| 29-37 | — Variation 6 | |
| 29-~38 | — Variation 7 | |
| 29-39 | — Variation 8 | |
| 10 Variations WoO 73 On The Duet "La Stessa, La Stessissima" From Salieri's Opera "Falstaff" | ||
| 29-40 | — Theme | |
| 29-41 | — Variation 1 | |
| 29-42 | — Variation 2 | |
| 29-43 | — Variation 3 | |
| 29-44 | — Variation 4 | |
| 29-45 | — Variation 5 | |
| 29-46 | — Variation 6 | |
| 29-47 | — Variation 7 | |
| 29-48 | — Variation 8 | |
| 29-49 | — Variation 9 | |
| 29-50 | — Variation 10 | |
| 7 Variations WoO 75 On The Quartet "Kind, Willst Du Ruhig Schlafen" From Winter's Opera "Das Unterbrochene Opferfest" | ||
| 29-51 | — Theme | |
| 29-52 | — Variation 1 | |
| 29-53 | — Variation 2 | |
| 29-54 | — Variation 3 | |
| 29-55 | — Variation 4 | |
| 29-56 | — Variation 5 | |
| 29-57 | — Variation 6 | |
| 29-58 | — Variation 7 | |
| 8 Variations WoO 76 On The Trio "Tändeln Und Scherzen" From Süßmayr's Opera "Soliman II" | ||
| 29-59 | — Theme | |
| 29-60 | — Variation 1 | |
| 29-61 | — Variation 2 | |
| 29-62 | — Variation 3 | |
| 29-63 | — Variation 4 | |
| 29-64 | — Variation 5 | |
| 29-65 | — Variation 6 | |
| 29-66 | — Variation 7 | |
| 29-67 | — Variation 8 | |
| 6 Variations WoO 77 On An Original Theme | ||
| 29-68 | — Theme | |
| 29-69 | — Variation 1 | |
| 29-70 | — Variation 2 | |
| 29-71 | — Variation 3 | |
| 29-72 | — Variation 4 | |
| 29-73 | — Variation 5 | |
| 29-74 | — Variation 6 | |
| 29-75 | Andante In F WoO 57 "Andante Favori" | |
| 7 Variations WoO 78 On "God Save The King" | ||
| 30-1 | — Theme | |
| 30-2 | — Variation 1 | |
| 30-3 | — Variation 2 | |
| 30-4 | — Variation 3 | |
| 30-5 | — Variation 4 | |
| 30-6 | — Variation 5 | |
| 30-7 | — Variation 6 | |
| 30-8 | — Variation 7 | |
| 5 Variations WoO 79 On "Rule Britannia" | ||
| 30-9 | — Theme | |
| 30-10 | — Variation 1 | |
| 30-11 | — Variation 2 | |
| 30-12 | — Variation 3 | |
| 30-13 | — Variation 4 | |
| 30-14 | — Variation 5 | |
| 30-15 | 32 Variations WoO 80 On An Original Theme | |
| 8 Variations WoO Anh.10 On The Song "Ich Hab Ein Kleines Hüttchen Nur" | ||
| 30-16 | — Theme | |
| 30-17 | — Variation 1 | |
| 30-18 | — Variation 2 | |
| 30-19 | — Variation 3 | |
| 30-20 | — Variation 4 | |
| 30-21 | — Variation 5 | |
| 30-22 | — Variation 6 | |
| 30-23 | — Variation 7 | |
| 30-24 | — Variation 8 | |
| 15 Variations With Fugue Op.35 | ||
| 30-25 | — Theme | |
| 30-26 | — Variation 1 | |
| 30-27 | — Variation 2 | |
| 30-28 | — Variation 3 | |
| 30-29 | — Variation 4 | |
| 30-30 | — Variation 5 | |
| 30-31 | — Variation 6 | |
| 30-32 | — Variation 7 | |
| 30-33 | — Variation 8 | |
| 30-34 | — Variation 9 | |
| 30-35 | — Variation 10 | |
| 30-36 | — Variation 11 | |
| 30-37 | — Variation 12 | |
| 30-38 | — Variation 13 | |
| 30-39 | — Variation 14 | |
| 30-40 | — Variation 15 | |
| 30-41 | — Finale Alla Fuga | |
| 8 Variations WoO 67, For Piano Four-Hands, On A Theme By Count Waldstein | ||
| 30-42 | — Theme | |
| 30-43 | — Variation 1 | |
| 30-44 | — Variation 2 | |
| 30-45 | — Variation 3 | |
| 30-46 | — Variation 4 | |
| 30-47 | — Variation 5 | |
| 30-48 | — Variation 6 | |
| 30-49 | — Variation 7 | |
| 30-50 | — Variation 8 | |
| 30-51 | — Coda | |
| Lied With Variations WoO 74, For Piano Four-Hands, "Ich Denke Dein" | ||
| 30-52 | — Theme | |
| 30-53 | — Variation 1 | |
| 30-54 | — Variation 2 | |
| 30-55 | — Variation 3 | |
| 30-56 | — Variation 4 | |
| 30-57 | — Variation 5 | |
| 30-58 | — Variation 6 | |
| 30-59 | — Coda | |
| 30-60 | Rondo In C WoO 48 | |
| 30-61 | Rondo In C WoO 49 | |
| 2 Rondos Op.51 | ||
| 31-1 | — No.1 Moderato E Grazioso | |
| 31-2 | — No.2 Andante Cantabile E Grazioso | |
| 31-3 | Fantasia In G Minor Op.77 | |
| 31-4 | Polonaise In C Op.89 | |
| 31-5 | Rondo A Capriccio In G Op.129 "Die Wut Über Den Verlorenen Groschen" | |
| 2 Preludes Op.39 | ||
| 31-6 | — Prelude No.1 Through All Major Keys | |
| 31-7 | — Prelude No.2 Through All Major Keys | |
| 3 Marches Op.45, For Piano Four-Hands | ||
| 31-8 | — No.1 In C: Allegro Ma Non Troppo | |
| 31-9 | — No.2 In E-Flat: Vivace | |
| 31-10 | — No.3 In D: Vivace | |
| 31-11 | Grosse Fuge In B-Flat Op.134, For Piano Four-Hands (Arr. Beethoven After Op.133): Overtura: Allegro - Meno Mosso E Moderato - Allegro - Fuga: Allegro - Meno Mosso E Moderato - Allegro Molto E Con Brio | |
| 7 Ländler WoO 11 (Piano Reduction Of Lost Original) | ||
| 32-1 | — No.1 | |
| 32-2 | — No.2 | |
| 32-3 | — No.3 | |
| 32-4 | — No.4 | |
| 32-5 | — No.5 | |
| 32-6 | — No.6 | |
| 32-7 | — No.7 | |
| 32-8 | — Coda | |
| 12 Deutsche Tänze WoO 13 (Piano Reduction Of Lost Original) | ||
| 32-9 | — No.1 | |
| 32-10 | — No.2 | |
| 32-11 | — No.3 | |
| 32-12 | — No.4 | |
| 32-13 | — No.5 | |
| 32-14 | — No.6 | |
| 32-15 | — No.7 | |
| 32-16 | — No.8 | |
| 32-17 | — No.9 | |
| 32-18 | — No.10 | |
| 32-19 | — No.11 | |
| 32-20 | — No.12 | |
| 32-21 | Fugue In D WoO 31 | |
| 3 Pieces WoO 33a, For Mechanical Clock | ||
| 32-22 | — No.1 Adagio Assai In F | |
| 32-23 | — No.2 Scherzo: Allegro In G | |
| 32-24 | — No.3 Allegro In G | |
| 2 Pieces WoO 33b | ||
| 32-25 | — No.1 Allegro Non Più Molto | |
| 32-26 | — No.2 Menuett: Allegretto | |
| 32-27 | Prelude In F Minor WoO 55 | |
| 2 Cadenzas WoO 58 For Mozart's Piano Concerto K466 | ||
| 32-28 | — For I. Allegro | |
| 32-29 | — For III. Rondo: Allegro Assai | |
| 32-30 | Allegretto In B Minor WoO 61 | |
| 32-31 | Allegretto Quasi Andante In G Minor WoO 61A | |
| 32-32 | Allemande In A WoO 81 | |
| 32-33 | Minuet In E-Flat WoO 82 | |
| 6 Écossaises In E-Flat WoO 83 | ||
| 32-34 | — No.1 | |
| 32-35 | — No.2 | |
| 32-36 | — No.3 | |
| 32-37 | — No.4 | |
| 32-38 | — No.5 | |
| 32-39 | — No.6 | |
| 32-40 | Waltz In E-Flat WoO 84 | |
| 32-41 | Waltz In D WoO 85 | |
| 32-42 | Écossaise In E-Flat WoO 86 | |
| 32-43 | Andante In C WoO 211 | |
| 32-44 | Anglaise In D WoO 212 | |
| 32-45 | Three-voice Fugue In C WoO 215 | |
| 32-46 | Minuet In F WoO 217 | |
| 32-47 | Minuet In C WoO 218 | |
| 32-48 | Waltz [Ländler] In C Minor WoO 219 | |
| 32-49 | Piano Exercise In B-Flat Hess 58 | |
| 32-50 | Piano Exercise In C Hess 59 | |
| 32-51 | 2 Deutsche Tänze Hess 67: I. Allegro In F - II. "The Deutscher" In F Minor (Da Capo) | |
| Violin Sonata No.1 In D Op.12 No.1 | ||
| 33-1 | — I. Allegro Con Brio | |
| 33-2 | — II. Tema Con Variazioni: Andante Con Moto | |
| 33-3 | — Variation 1 | |
| 33-4 | — Variation 2 | |
| 33-5 | — Variation 3 | |
| 33-6 | — Variation 4 | |
| 33-7 | — III. Rondo: Allegro | |
| Violin Sonata No.2 In A Op.12 No.2 | ||
| 33-8 | — I. Allegro Vivace | |
| 33-9 | — II. Andante Più Tosto Allegretto | |
| 33-10 | — III. Allegro Piacevole | |
| Violin Sonata No.3 In E-Flat Op.12 No.3 | ||
| 33-11 | — I. Allegro Con Spirito | |
| 33-12 | — II. Adagio Con Molt'espressione | |
| 33-13 | — III. Rondo: Allegro Molto | |
| Violin Sonata No.4 In A Minor Op.23 | ||
| 33-14 | — I. Presto | |
| 33-15 | — II. Andante Scherzoso - Più Allegretto | |
| 33-16 | — III. Allegro Molto | |
| Violin Sonata No.5 In F Op.24 "Spring" | ||
| 34-1 | — I. Allegro | |
| 34-2 | — II. Adagio Molto Espressivo | |
| 34-3 | — III. Scherzo: Allegro Molto | |
| 34-4 | — IV. Rondo: Allegro Ma Non Troppo | |
| Violin Sonata No.8 In G Op.30 No.3 | ||
| 34-5 | — I. Allegro Assai | |
| 34-6 | — II. Tempo Di Menuetto | |
| 34-7 | — III. Allegro Vivace | |
| Violin Sonata No.9 In A Op.47 "Kreutzer" | ||
| 34-8 | — I. Adagio Sostenuto - Presto | |
| 34-9 | — II. Andante Con Variazioni | |
| 34-10 | — Variation 1 | |
| 34-11 | — Variation 2 | |
| 34-12 | — Variation 3 | |
| 34-13 | — Variation 4 | |
| 34-14 | — IV. Finale: Presto | |
| Violin Sonata No.6 In A Op.30 No.1 | ||
| 35-1 | — I. Allegro | |
| 35-2 | — II. Adagio Molto Espressivo | |
| 35-3 | — III. Allegretto Con Variazioni | |
| 35-4 | — Variation 1 | |
| 35-5 | — Variation 2 | |
| 35-6 | — Variation 3 | |
| 35-7 | — Variation 4 | |
| 35-8 | — Variation 5 | |
| 35-9 | — Variation 6 | |
| Violin Sonata No.7 In C Minor Op.30 No.2 | ||
| 35-10 | — I. Allegro Con Brio | |
| 35-11 | — II. Adagio Cantabile | |
| 35-12 | — III. Scherzo: Allegro | |
| 35-13 | — IV. Finale: Allegro | |
| Violin Sonata No.10 In G Op.96 | ||
| 35-14 | — I. Allegro Moderato | |
| 35-15 | — II. Adagio Espressivo | |
| 35-16 | — III. Scherzo: Allegro | |
| 35-17 | — IV. Poco Allegretto | |
| Cello Sonata No.1 In F Op.5 No.1 | ||
| 36-1 | — I. Adagio Sostenuto - Allegro | |
| 36-2 | — II. Rondo: Allegro Vivace | |
| Cello Sonata No 2 In G Minor Op.5 No.2 | ||
| 36-3.1 | — I. Adagio Sostenuto Ed Espressivo | |
| 36-3.2 | — II. Allegro Molto Più Tosto Presto | |
| 36-4 | — III. Rondo: Allegro | |
| Cello Sonata No.3 In A Op.69 | ||
| 36-5 | — I. Allegro Ma Non Tanto | |
| 36-6 | — II. Scherzo: Allegro Molto | |
| 36-7 | — III. Adagio Cantabile - Allegro Vivace | |
| Cello Sonata No.4 In C Op.102 No.1 | ||
| 37-1 | — I. Adagio - Allegro Vivace | |
| 37-2 | — II. Adagio - Tempo D'andante - Allegro Vivace | |
| Cello Sonata No.5 In D Op.102 No.2 | ||
| 37-3 | — I. Allegro Con Brio | |
| 37-4 | — II. Adagio Con Molto Sentimento D'affetto | |
| 37-5 | — III. Allegro - Allegro Fugato | |
| 7 Variations WoO 46, For Cello & Piano, On "Bei Männern, Welche Liebe Fühlen" From Mozart's "Die Zauberflöte" | ||
| 37-6 | — Thema: Andante | |
| 37-7 | — Variation 1 | |
| 37-8 | — Variation 2 | |
| 37-9 | — Variation 3 | |
| 37-10 | — Variation 4 | |
| 37-11 | — Variation 5: Si Prenda Il Tempo Um Poco Più Vivace | |
| 37-12 | — Variation 6: Adagio | |
| 37-13 | — Variation 7: Allegro Ma Non Troppo | |
| 12 Variations Op.66, For Cello & Piano, On "Ein Mädchen Oder Weibchen" From Mozart's "Die Zauberflöte" | ||
| 37-14 | — Thema: Allegretto | |
| 37-15 | — Variation 1 | |
| 37-16 | — Variation 2 | |
| 37-17 | — Variation 3 | |
| 37-18 | — Variation 4 | |
| 37-19 | — Variation 5 | |
| 37-20 | — Variation 6 | |
| 37-21 | — Variation 7 | |
| 37-22 | — Variation 8 | |
| 37-23 | — Variation 9 | |
| 37-24 | — Variation 10: Adagio | |
| 37-25 | — Variation 11: Poco Adagio Quasi Andante | |
| 37-26 | — Variation 12: Allegro | |
| 12 Variations WoO 45, For Cello & Piano, On "See The Conqu'ring Hero Comes" From Handel's "Judas Maccabaeus" | ||
| 37-27 | — Thema: Allegretto | |
| 37-28 | — Variation 1 | |
| 37-29 | — Variation 2 | |
| 37-30 | — Variation 3 | |
| 37-31 | — Variation 4 | |
| 37-32 | — Variation 5 | |
| 37-33 | — Variation 6 | |
| 37-34 | — Variation 7 | |
| 37-35 | — Variation 8 | |
| 37-36 | — Variation 9 | |
| 37-37 | — Variation 10: Allegro | |
| 37-38 | — Variation 11: Adagio | |
| 37-39 | — Variation 12: Allegro | |
| Sonata In B-Flat WoO Anh.4, For Flute & Piano | ||
| 38-1 | — I. Allegro Moderato | |
| 38-2 | — II. Polonaise | |
| 38-3 | — III. Largo | |
| 38-4 | — IV. Tema (Allegretto) Con Variazione | |
| Serenade Op.41, For Flute And Piano (Arr. F.X. Kleinheinz After Op.25) | ||
| 38-5 | — I. Entrata: Allegro | |
| 38-6 | — II. Tempo Ordinario D'un Menuetto | |
| 38-7 | — III. Allegro Molto | |
| 38-8 | — IV. Andante Con Variazioni | |
| 38-9 | — V. Allegro Scherzando E Vivace | |
| 38-10 | — VI. Adagio | |
| 38-11 | — Allegro Vivace | |
| 38-12 | Rondo In G WoO 41, For Violin & Piano | |
| Duo In E-Flat WoO 32 "Mit Zwei Obligaten Auggengläsern", For Viola & Cello | ||
| 38-13 | — I. Allegro | |
| 38-14 | — II. Minuetto | |
| Horn Sonata In F Op.17 | ||
| 38-15 | — I. Allegro Moderato | |
| 38-16 | — II. Poco Adagio, Quasi Andante | |
| 38-17 | — III. Rondo: Allegro Moderato | |
| 6 Themes And Variations Op.105, For Flute & Piano | ||
| 39-1 | — Scottish Air “The Cottage Maid”: Andantino Quasi Allegretto | |
| 39-2 | — Scottish Air “Von Edlem Geschlect War Shinkin”: Allegretto Scherzoso | |
| 39-3 | — Austrian Air “A Schüsserl Und A Reindl”: Andantino | |
| 39-4 | — Scottish Air “The Last Rose Of Summer”: Andante Espressivo Assai | |
| 39-5 | — Scottish Air “Chiling O'Guiry”: Allegretto Spiritoso | |
| 39-6 | — Scottish Air “Paddy Whack”: Allegretto Più Tosto Vivace | |
| 10 Themes And Variations Op.107, For Flute & Piano | ||
| 39-7 | — Tyrolian Air “I Bin A Tiroler Bua”: Moderato | |
| 39-8 | — Scottish Air “Bonny Laddie, Highland Laddie”: Allegretto, Quasi Vivace | |
| 39-9 | — Little-Russian Folksong: Vivace | |
| 39-10 | — Scottish Air “St. Patrick's Day”: Allegretto Scherzoso | |
| 39-11 | — Tyrolian Air “A Madel, Ja A Madel”: Moderato | |
| 39-12 | — Scottish Air “Peggy's Daughter”: Andante Commodo | |
| 39-13 | — Russian Air “Schöne Minka”: Andante | |
| 39-14 | — Scottish Air “O Mary, At Thy Window Be”: Andantino Quasi Allegretto | |
| 39-15 | — Scottish Air “Oh, Thou Art The Lad Of My Heart”: Allegretto Più Tosto Vivace | |
| 39-16 | — Scottish Air “The Highland Watch”: Spiritoso E Marciale | |
| Allegro And Minuet In G WoO 26, For 2 Flutes | ||
| 40-1 | — I. Allegro Con Brio | |
| 40-2 | — II. Menuetto: Quasi Allegretto | |
| 6 Deutsche Tänze WoO 42, For Piano & Violin | ||
| 40-3 | — No.1 | |
| 40-4 | — No.2 | |
| 40-5 | — No.3 | |
| 40-6 | — No.4 | |
| 40-7 | — No.5 | |
| 40-8 | — No.6 | |
| 40-9 | Sonatina In C Minor WoO 43A, For Mandolin & Harpsichord | |
| 40-10 | Adagio In E-Flat WoO 43B, For Mandolin & Harpsichord | |
| 40-11 | Sonatina In C WoO 44A, For Mandolin & Harpsichord | |
| 40-12 | Variations In D WoO 44B, For Mandolin & Harpsichord | |
| Notturno Op.42, For Viola & Piano (Arr. F.X. Kleinheinz After Serenade Op.8) | ||
| 40-13 | — I. Marcia: Allegro | |
| 40-14 | — II. Adagio | |
| 40-15 | — III. Menuetto | |
| 40-16 | — IV. Adagio | |
| 40-17 | — V. Allegretto Alla Polacca | |
| 40-18 | — VI. Theme Con Variazioni | |
| 12 Variations WoO 40, For Violin & Piano, On “Se Vuol Ballare” From Mozart's “Le Nozze Di Figaro” | ||
| 40-19 | — Theme | |
| 40-20 | — Variation 1 | |
| 40-21 | — Variation 2 | |
| 40-22 | — Variation 3 | |
| 40-23 | — Variation 4 | |
| 40-24 | — Variation 5 | |
| 40-25 | — Variation 6 | |
| 40-26 | — Variation 7 | |
| 40-27 | — Variation 8 | |
| 40-28 | — Variation 9 | |
| 40-29 | — Variation 10 | |
| 40-30 | — Variation 11 | |
| 40-31 | — Variation 12 | |
| 40-32 | — Coda | |
| 40-33 | Allegro In A WoO 34 | |
| 40-34 | Short Piece In A WoO 35 | |
| Piano Trio No.1 In E-Flat Op.1 No.1 | ||
| 41-1 | — I. Allegro | |
| 41-2 | — II. Adagio Cantabile | |
| 41-3 | — III. Scherzo | |
| 41-4 | — IV. Finale: Presto | |
| Piano Trio No.2 In G Op.1 No.2 | ||
| 41-5 | — I. Adagio - Allegro Vivace | |
| 41-6 | — II. Largo Con Espressione | |
| 41-7 | — III. Scherzo: Allegro | |
| 41-8 | — IV. Finale: Presto | |
| 41-9 | 14 Variations In E-Flat Op.44, For Piano Trio, On An Original Theme | |
| Piano Trio No.3 In C Minor Op.1 No.3 | ||
| 42-1 | — I. Allegro Con Brio | |
| 42-2 | — II. Andante Cantabile Con Variazioni | |
| 42-3 | — III. Menuetto: Quasi Allegro | |
| 42-4 | — IV. Finale: Prestissimo | |
| Piano Trio No.7 In B-Flat Op.97 "Archduke" | ||
| 42-5 | — I. Allegro Moderato | |
| 42-6 | — II. Scherzo: Allegro | |
| 42-7 | — III. Andante Cantabile, Ma Però Con Moto | |
| 42-8 | — IV. Finale: Allegro Moderato | |
| 42-9 | Piano Trio In B-flat WoO 39: Allegretto | |
| 42-10 | Allegretto In E-Flat Unv 9, For Piano Trio | |
| Piano Trio No.5 In D Op.70 No.1 "Ghost" | ||
| 43-1 | — I. Allegro Vivace E Con Brio | |
| 43-2 | — II. Largo Assai Ed Espressivo | |
| 43-3 | — III. Presto | |
| Piano Trio No.6 In E-Flat Op.70 No.2 | ||
| 43-4 | — I. Poco Sostenuto - Allegro Ma Non Troppo | |
| 43-5 | — II. Allegretto | |
| 43-6 | — III. Allegretto Ma Non Troppo | |
| 43-7 | — IV. Finale: Allegro | |
| 43-8 | 10 Variations Op.121A, For Piano Trio, On "Ich Bin Der Schneider Kakadu" From Wenzel Müller's Singspiel "Die Schwestern Von Prag" | |
| Piano Trio In E-Flat WoO 38 | ||
| 44-1 | — I. Allegro Moderato | |
| 44-2 | — II. Scherzo: Allegro Ma Non Troppo | |
| 44-3 | — III. Rondo: Allegretto | |
| Piano Trio In E-Flat Op.38 (Arr. Beethoven After Septet Op.20) | ||
| 44-4 | — I. Adagio - Allegro Con Brio | |
| 44-5 | — II. Adagio Cantabile | |
| 44-6 | — III. Tempo Di Menuetto | |
| 44-7 | — IV. Tema Con Variazioni: Andante | |
| 44-8 | — V. Scherzo: Allegro Molto E Vivace | |
| 44-9 | — VI. Andante Con Moto Alla Marcia - Presto | |
| Piano Trio In B-Flat Op.11 "Gassenhauer" | ||
| 44-10 | — I. Allegro Con Brio | |
| 44-11 | — II. Adagio | |
| 44-12 | — Iii. Allegretto: Variations On "Pria Ch'io L'impegno" | |
| String Trio In E-Flat Op.3 | ||
| 45-1 | — I. Allegro Con Brio | |
| 45-2 | — II. Andante | |
| 45-3 | — III. Menuetto: Allegretto | |
| 45-4 | — IV. Adagio | |
| 45-5 | — V. Menuetto: Moderato | |
| 45-6 | — VI. Finale: Allegro | |
| Serenade In D Op.8, For String Trio | ||
| 45-7 | — I. Marcia: Allegro | |
| 45-8 | — Adagio | |
| 45-9 | — II. Menuetto: Allegretto & Trio | |
| 45-10 | — III. Adagio | |
| 45-11 | — Scherzo: Allegro Molto | |
| 45-12 | — Adagio (Tempo I) | |
| 45-13 | — Allegro Molto | |
| 45-14 | — Adagio | |
| 45-15 | — IV. Allegretto Alla Polacca | |
| 45-16 | — V. Andante Quasi Allegretto | |
| 45-17 | — Variation 1 | |
| 45-18 | — Variation 2 | |
| 45-19 | — Variation 3 | |
| 45-20 | — Variation 4 | |
| 45-21 | — Allegro | |
| 45-22 | — Tempo I | |
| 45-23 | — Marcia: Allegro | |
| String Trio In G Op.9 No.1 | ||
| 46-1 | — I. Adagio | |
| 46-2 | — Allegro Con Brio | |
| 46-3 | — II. Adagio Ma Non Tanto E Cantabile | |
| 46-4 | — III. Scherzo: Allegro | |
| 46-5 | — Trio 1 | |
| 46-6 | — Trio 2 | |
| 46-7 | — Scherzo | |
| 46-8 | — IV. Presto | |
| String Trio In D Op.9 No.2 | ||
| 46-9 | — I. Allegretto | |
| 46-10 | — II. Andante Quasi Allegretto | |
| 46-11 | — III. Menuetto: Allegro | |
| 46-12 | — IV. Rondo: Allegro | |
| String Trio In C Minor Op.9 No.3 | ||
| 46-13 | — I. Allegro Con Spirito | |
| 46-14 | — II. Adagio Con Espressione | |
| 46-15 | — III. Scherzo: Allegro Molto E Vivace | |
| 46-16 | — IV. Finale: Presto | |
| Serenade In D Op.25, For Flute, Violin & Viola | ||
| 47-1 | — I. Entrata: Allegro | |
| 47-2 | — II. Tempo Ordinario D'un Menuetto | |
| 47-3 | — III. Allegro Molto | |
| 47-4 | — IV. Andante Con Variazioni | |
| 47-5 | — Allegro Scherzando E Vivace | |
| 47-6 | — VI. Adagio - Allegro Vivace Disinvolto | |
| Trio In C Op.87, For 2 Oboes & Cor Anglais | ||
| 47-7 | — I. Allegro | |
| 47-8 | — II. Adagio Cantabile | |
| 47-9 | — III. Menuetto - Allegro Molto - Scherzo | |
| 47-10 | — IV. Finale: Presto | |
| 47-11 | 8 Variations WoO 28, For 2 Oboes & Cor Anglais, On “Là Ci Darem la Mano” From Mozart's Opera “Don Giovanni”: Theme - Variations - Coda | |
| Trio Concertante In G WoO 37, For Piano, Flute & Bassoon | ||
| 47-12 | — I. Allegro | |
| 47-13 | — II. Adagio | |
| 47-14 | — III. Thema Andante Con Variazioni | |
| String Quartet No.1 In F Op.18 No.1 | ||
| 48-1 | — I. Allegro Con Brio | |
| 48-2 | — II. Adagio Affettuoso Ed Appassionata | |
| 48-3 | — III. Scherzo: Allegro Molto - Trio | |
| 48-4 | — IV. Allegro | |
| String Quartet No.4 In C Op.18 No.4 | ||
| 48-5 | — I. Allegro Ma Nan Tanto | |
| 48-6 | — II. Scherzo: Andante Scherzoso Quasi Allegretto | |
| 48-7 | — III. Menuetto: Allegro - Trio | |
| 48-8 | — IV. Allegretto - Prestissimo | |
| String Quartet No.6 In B-Flat Op.18 No.6 | ||
| 48-9 | — I. Allegro Con Brio | |
| 48-10 | — II. Adagio Ma Non Troppo | |
| 48-11 | — III. Scherzo: Allegro - Trio | |
| 48-12 | — IV. La Malinconia: Adagio | |
| 48-13 | — Allegretto Quasi Allegro | |
| String Quartet No.2 In G Op.18 No.2 | ||
| 49-1 | — I. Allegro | |
| 49-2 | — II. Adagio Cantabile | |
| 49-3 | — III. Scherzo: Allegro - Trio | |
| 49-4 | — IV. Allegro Molto, Quasi Presto | |
| String Quartet No.3 In D Op.18 No.3 | ||
| 49-5 | — I. Allegro | |
| 49-6 | — II. Andante Con Moto | |
| 49-7 | — III. Allegro - Minore - Maggiore | |
| 49-8 | — IV. Presto | |
| String Quartet No.5 In A Op.18 No.5 | ||
| 49-9 | — I. Allegro | |
| 49-10 | — II. Menuetto - Trio | |
| 49-11 | — III. Andante Cantabile | |
| 49-12 | — IV. Allegro | |
| String Quartet No.7 In F Op.59 No.1 "Razumovsky” | ||
| 50-1 | — I. Allegro | |
| 50-2 | — II. Allegretto Vivace E Sempre Scherzando | |
| 50-3 | — III. Adagio Molto E Mesto | |
| 50-4 | — IV. Thème Russe: Allegro | |
| String Quartet No.8 In E Minor Op.59 No.2 "Razumovsky" | ||
| 50-5 | — I. Allegro | |
| 50-6 | — II. Molto Adagio | |
| 50-7 | — III. Allegretto - Maggiore | |
| 50-8 | — IV. Finale: Presto | |
| String Quartet No.9 In C Op.59 No.3 ”Razumovsky" | ||
| 51-1 | — I. Introduzione: Andante Con Moto - Allegro Vivace | |
| 51-2 | — II. Andante Con Moto Quasi Allegretto | |
| 51-3 | — III. Menuetto: Grazioso - Trio - Coda | |
| 51-4 | — IV. Allegro Molto | |
| String Quartet No.10 In E-Flat Op.74 "Harp" | ||
| 51-5 | — I. Poco Adagio - Allegro | |
| 51-6 | — II. Adagio Ma Non Troppo | |
| 51-7 | — III. Presto | |
| 51-8 | — IV. Allegretto Con Variazioni | |
| String Quartet No.11 In F Minor Op.95 "Serioso” | ||
| 51-9 | — I. Allegro Con Brio | |
| 51-10 | — II. Allegretto Ma Non Troppo | |
| 51-11 | — III. Allegro Assai Vivace Ma Serioso | |
| 51-12 | — IV. Larghetto Espressivo - Allegretto Agitalo - Allegro | |
| String Quartet No.12 In E-Flat Op.127 | ||
| 52-1 | — I. Maestoso - Allegro | |
| 52-2 | — II. Adagio, Ma Non Troppo E Molto Cantabile | |
| 52-3 | — III. Scherzando Vivace | |
| 52-4 | — IV. Finale: Allegro | |
| String Quartet No.14 In C-Sharp Minor Op.131 | ||
| 52-5 | — I. Adagio Ma Non Troppo E Molto Espressivo | |
| 52-6 | — II. Allegro Molto Vivace | |
| 52-7 | — III. Allegro Moderato | |
| 52-8 | — IV. Andante Ma Non Troppo E Molto Cantabile | |
| 52-9 | — V. Presto | |
| 52-10 | — VI. Adagio Quasi Un Poco Andante | |
| 52-11 | — VII. Allegro | |
| String Quartet No.13 In B-Flat Op.130 | ||
| 53-1 | — I. Adagio Molto Ma Non Troppo - Allegro | |
| 53-2 | — II. Presto | |
| 53-3 | — III. Andante Con Moto Ma Non Troppo, Poco Scherzos | |
| 53-4 | — IV. Alla Danza Tedesca: Allegro Assai | |
| 53-5 | — V. Cavatina: Adagio Molto Espressivo | |
| 53-6 | Grosse Fuge Op.133 (Original Finale To Op.130): Overtura: Allegro - Fuga | |
| String Quartet In F Hess 34 | ||
| 53-7 | — I. Allegro Moderato | |
| 53-8 | — II. Allegretto | |
| 53-9 | — III. Allegro | |
| String Quartet No.15 In A Minor Op.132 | ||
| 54-1 | — I. Assai Sostenuto - Allegro | |
| 54-2 | — II. Allegro Ma Non Tanto | |
| 54-3 | — III. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart: Molto Adagio - Neue Kraft Fülhlend: Andante | |
| 54-4 | — IV. Alla Marcia, Assai Vivace | |
| 54-5 | — V. Allegro Appassionato - Presto | |
| String Quartet No.16 In F Op.135 | ||
| 54-6 | — I. Allegretto | |
| 54-7 | — II. Vivace | |
| 54-8 | — III. Lento Assai, Cantante E Tranquillo | |
| 54-9 | — IV. Der Schwer Gefasste Entschluss, „Muss Es Sein? Es Muss Sein!”: Grave, Ma Non Troppo Tratto - Allegro | |
| 55-1 | Allegretto In B Minor WoO 210 “Pencarrow”, For String Quartet | |
| Prelude And Fugue In C Hess 31, For String Quartet | ||
| 55-2 | — Prelude | |
| 55-3 | — Fugue | |
| Prelude And Fugue In C Hess 30, For String Quartet | ||
| 55-4 | — Prelude | |
| 55-5 | — Fugue | |
| 55-6 | Menuet In A-Flat WoO 209, For String Quartet | |
| Piano Quartet In E-Flat Op.16 (Arr. Beethoven After Quintet Op.16) | ||
| 55-7 | — I. Grave - Allegro Ma Non Troppo | |
| 55-8 | — II. Andante Cantabile | |
| 55-9 | — III. Rondo: Allegro Ma Non Troppo | |
| Piano Quartet In E-Flat WoO 36 No.1 | ||
| 55-10 | — I. Adagio Assai | |
| 55-11 | — II. Allegro Con Spirito | |
| 55-12 | — III. Tema Con Varioazioni | |
| Piano Quartet In D WoO 36 No.2 | ||
| 56-1 | — I.Allegro Moderato | |
| 56-2 | — II. Andante Con Moto | |
| 56-3 | — III. Rondo: Allegro | |
| Piano Quartet In C WoO 36 No.3 | ||
| 56-4 | — I. Allegro Vivace | |
| 56-5 | — II. Adagio Con Espressione | |
| 56-6 | — III. Rondo: Allegro | |
| 3 Æquale For 4 Trombones WoO 30 | ||
| 56-7 | — I. Andante | |
| 56-8 | — II. Poco Adagio | |
| 56-9 | — III. Poco Sostenuto | |
| 3 Duos WoO 27, For Clarinet & Bassoon: No.1 In C | ||
| 57-1 | — I. Allegro Commado | |
| 57-2 | — II. Larghetto Sostenuto | |
| 57-3 | — III. Rondo: Allegretto | |
| 3 Duos WoO 27, For Clarinet & Bassoon: No.2 In F | ||
| 57-4 | — I. Allegro Affettuso | |
| 57-5 | — II. Aria: Larghetto | |
| 57-6 | — III. Rondo: Allegretto Moderato | |
| 3 Duos WoO 27, For Clarinet & Bassoon: No.3 In B-Flat | ||
| 57-7 | — I. Allegro Sostenuto | |
| 57-8 | — II. Aria Con Variazioni: Andantino Con Moto - III. Allegro Assai | |
| Octet In E-Flat Op.103, For 2 Oboes, 2 Clarinets, 2 Bassoons & 2 Horns | ||
| 57-9 | — I. Allegro | |
| 57-10 | — II. Andante | |
| 57-11 | — III. Menuetto | |
| 57-12 | — IV. Finale: Presto | |
| 57-13 | Rondino In E-Flat WoO 25, For 2 Oboes, 2 Clarinets, 2 Bassoons & 2 Horns | |
| String Quintet In E-Flat Op.4 | ||
| 58-1 | — I. Allegro Con Brio | |
| 58-2 | — II. Andante | |
| 58-3 | — III. Menuetto | |
| 58-4 | — IV. Finale: Presto | |
| Quintet In E-Flat Op.16, For Piano, Oboe, Clarinet, Horn & Bassoon | ||
| 58-5 | — I. Grave - Allegro Ma Non Troppo | |
| 58-6 | — II. Andante Cantabile | |
| 58-7 | — III. Rondo: Allegro Ma Non Troppo | |
| Quintet In E-Flat WoO 208, For Oboe, 3 Horns & Bassoon | ||
| 58-8 | — I. Allegro (Fragment) | |
| 58-9 | — II. Adagio Maestoso | |
| 58-10 | — III. Minuetto (Fragment) | |
| String Quintet In C Op.29 “Storm” | ||
| 59-1 | — I. Allegro Maderato | |
| 59-2 | — II. Adagio Molto Espressivo | |
| 59-3 | — III. Scherzo: Allegro | |
| 59-4 | — IV. Presto | |
| String Quintet In C Minor Op.104 | ||
| 59-5 | — I. Allegro Con Brio | |
| 59-6 | — II. Andante Cantabile Con Variazioni | |
| 59-7 | — III. Menuetto: Quasi Allegro | |
| 59-8 | — IV. Finale: Prestissimo | |
| 59-9 | Fugue In D Op.137, For String Quintet | |
| 59-10 | Prelude And Fugue Fragment In D Minor Unv 7, For String Quintet | |
| Sextet In E-Flat Op.71, For 2 Clarinets, 2 Horns & 2 Bassoons | ||
| 60-1 | — I. Adagio - Allegro | |
| 60-2 | — II. Adagio | |
| 60-3 | — III. Menuetto: Quasi Allegretto | |
| 60-4 | — IV. Allegro | |
| Sextet In E-Flat Op.81B, For 2 Violins, Viola, Cello & 2 Horns | ||
| 60-5 | — I. Allegro Con Brio | |
| 60-6 | — II. Adagio | |
| 60-7 | — III. Rondo: Allegro | |
| 60-8 | March In B-Flat WoO 29, For 2 Clarinets, 2 Horns & 2 Bassoons | |
| Septet In E-Flat Op.20, For Clarinet, Bassoon, Horn, Violin, Viola, Cello & Double Bass | ||
| 60-9 | — I. Adagio - Allegro Con Brio | |
| 60-10 | — II. Adagio Cantabile | |
| 60-11 | — III. Tempo Di Menuetto | |
| 60-12 | — IV. Tema Con Variazioni: Andante | |
| 60-13 | — V. Scherzo: Allegro Molto E Vivace | |
| 60-14 | — VI. Andante Con Moto Alla Marcia - Presto | |
| Fidelio Op.72 | ||
| 61-1 | — Ouverture | |
| 61-2 | — Act I: Duet: Jetzt, Schätzchen, Jetzt Sind Wir Allein | |
| 61-3 | — Act I: Recitative: Der Arme Jaquino Dauert Mich Beinahe | |
| 61-4 | — Act I: Aria: O Wär' Ich Schon Mit Dir Vereint | |
| 61-5 | — Act I: Recitative: Guten Tag, Marzelline. Ist Fidelio Nich Nicht Zurück? | |
| 61-6 | — Act I: Quartet: Mir Ist So Wunderbar | |
| 61-7 | — Act I: Recitative: Höre, Fidelio, Weißt Du, Was Ich Tue? | |
| 61-8 | — Act I: Aria: Hat Man Nicht Auch Gold Beineben | |
| 61-9 | — Act I: Recitative: Ihr Könnt Das Leicht Sagen, Meister Rocco | |
| 61-10 | — Act I: Trio: Gut, Söhnchen, Gut, Hab Immer Mut | |
| 61-11 | — Act I: Trio: Der Gouverneur… Der Gouverneur Soll Heut' Erlauben | |
| 61-12 | — Act I: Trio: Nur Auf Der Hut, Dann Ghet Es Gut | |
| 61-13 | — Act I: March | |
| 61-14 | — Act I: Recitative: Wo Sind Die Depeschen? | |
| 61-15 | — Act I: Aria With Chorus: Ha! Welch Ein Augenblick! | |
| 61-16 | — Act I: Recitative: Hauptmann, Besteigen Sie Mit Einem Trompeter Sogleich Den Turm | |
| 61-17 | — Act I: Duet: Jetzt, Alter, Jetzt Hat Es Eile! | |
| 61-18 | — Act I: Recitative And Aria: Abscheulicher! Wo Eilst Du Hin? | |
| 61-19 | — Act I: Komm, Hoffnung , Laß Den Letzten Stern | |
| 61-20 | — Act I: Recitative: Rocco, Ihr Verspracht Mir So Oft | |
| 61-21 | — Act I: Finale: O Welche Lust! | |
| 61-22 | — Act I: Finale: Wir Wollen Mit Vertrauen Auf Gottes Hülfe Bauen | |
| 61-23 | — Act I: Finale: Nun Sprecht, Wie Ging's? | |
| 61-24 | — Act I: Finale: Ach! Vater, Eilt! | |
| 61-25 | — Act I: Finale: Verwegener Alter | |
| 61-26 | — Act I: Finale: Leb' Wohl, Du Warmes Sonnenlicht | |
| 62-1 | — Act II: Introduction | |
| 62-2 | — Act II: Aria: Gott! Welch' Dunkel Hier! | |
| 62-3 | — Act II: In Des Lebens Frühlingstagen | |
| 62-4 | — Act II: Und Spür' Ich Nicht Linde | |
| 62-5 | — Act II: Melodrama And Duet: Wie Kalt Ist Es | |
| 62-6 | — Act II: Nur Hurtig Fort, Nur Frisch Gregraben | |
| 62-7 | — Act II: Recitative: Er Erwacht! | |
| 62-8 | — Act II: Trio: Euch Werde Lohn In Bessern Welten | |
| 62-9 | — Act II: Recitative: Alles Ist Bereit | |
| 62-10 | — Act II: Quartet: Er Sterbe! | |
| 62-11 | — Act II: Vater Rocco! | |
| 62-12 | — Act II: Recitative: Es Schlagt Der Rache Stunde! | |
| 62-13 | — Act II: Duet: O Namenlose Freude! | |
| 62-14 | — Act II: Finale: Heil Sei Dem Tag | |
| 62-15 | — Act II: Finale: Des Besten Königs Wink Und Wille | |
| 62-16 | — Act II: Finale: Wohlan! So Helfet, Helft Den Armen! | |
| 62-17 | — Act II: Finale: Du Schlossest Auf Des Edlen Grab | |
| 62-18 | — Act II: Finale: O Gott! O Welch Ein Augenblick! | |
| 62-19 | — Act II: Finale: We Ein Holdes Weib Errungen | |
| 62-20 | Leonore No.3 Overture Op.72b | |
| 63-1 | Leonore No.2 Overture Op.72a | |
| Leonore, Hess 109 (1805 Version) | ||
| 63-2 | — Act I: Fidelio Kommt Nicht Zurück | |
| 63-3 | — Act I: Aria: O Wär Ich Schon Mit Dir Vereint | |
| 63-4 | — Act I: Wenn Ich Diese Tür Nicht | |
| 63-5 | — Act I: Duet: Jetzt, Schätzchen | |
| 63-6 | — Act I: Höre, Jaquino… So Habt Ihr Denn | |
| 63-7 | — Act I: Ein Mann Ist Bald Genommen | |
| 63-8 | — Act I: Ist Fidelio Noch Nich Nach Hause Gekommen?… Liber Gott | |
| 63-9 | — Act I: Quartet: Mir Ist So Wunderbar | |
| 63-10 | — Act I: Höre, Fidelio' | |
| 63-11 | — Act I: Aria: Hat Man Nich Auch Gold Beineben | |
| 63-12 | — Act I: Ihr könnt das leicht sagen, Meister Rocco | |
| 63-13 | — Act I: Trio: Gut, Sönnchen, Gut | |
| 63-14 | — Act Ii: March Woo 2B | |
| 63-15 | — Act II: Drei Schildwachten Auf Den Wall | |
| 63-16 | — Act II: Aria: Ha! Welch Ein Augenblick! | |
| 63-17 | — Act II: Rocco! | |
| 63-18 | — Act II: Duet: Jetzt, Alter, Jetzt Hat Es Eile! | |
| 63-19 | — Act II: Nun Ist Es Endlich Entschieden | |
| 63-20 | — Act II: Duet: Um In Der Ehe Froh Zu Leben | |
| 63-21 | — Act Ii: Sieh Doch, Wie Du So Schnell… Wie Rührend | |
| 63-22 | — Act Ii: Recitative & Aria: Ach, Brich Noch Nicht… Komm, Hoffnung | |
| 64-1 | — Act II: Finale: O Welche Lust! | |
| 64-2 | — Act II: Finale: Entfernt Euch Jetzt! | |
| 64-3 | — Act II: Finale: Wir Müssen Gleich Zu Werke Schreiten… Ach Vater, Eilt!… Noch Immer Zaudert Ihr? | |
| 64-4 | — Act II: Finale: Auf Euch Nur Will Ich Bauen | |
| 64-5 | — Act III: Recitative & Aria: Gott! Welch Dunkel Hier!… In Des Lebens Frühlingstagen | |
| 64-6 | — Act III: Melodrama & Duet: Wie Kalt Ist Es In Diesem Unterirdischen Gewölbe! | |
| 64-7 | — Act III: Er Erwacht! | |
| 64-8 | — Act III: Trio: Euch Werde Lohn In Bessern Welten | |
| 64-9 | — Act III: Alles Ist Bereit… Ist Alles Bereit? | |
| 64-10 | — Act III: Quartet: Er Sterbe! | |
| 64-11 | — Act III: Die Waffe Hab' Ich Mir Nehmen Lassen | |
| 64-12 | — Act III: Ich Kann Mich Noch Nicht Fassen… O Namen, Namenlose Freude! | |
| 64-13 | — Act III: O Leonore, Sprich! | |
| 64-14 | — Act III: Finale: Zur Rache, Zur Rache! | |
| 64-15 | — Act III: Finale: O Gott! O Welch Ein Augenblick! | |
| 64-16 | — Act III: Finale: Wie Lange Habt Ihr Sie Getragen? | |
| 64-17 | — Act III: Finale: Preist Mit Hoher Freude Glut | |
| 64-18 | — Act III: Finale: Wer Ein Solches Weib Errungen | |
| Christus Am Ölberge, Op.85 | ||
| 65-1 | — No.1: Introduction: Grave - Adagio | |
| 65-2 | — No.1: Recitative: “Jehova, Du Mein Vater!…” | |
| 65-3 | — No.1: Aria: “Meine Seele Ist Erschüttert” | |
| 65-4 | — No.2: Recitative: “Erzittre, Erde!, Jehovas Sohn Liegt Hier!…” | |
| 65-5 | — No.2: Aria: “Preist, Preist Des Erlösers Güte” | |
| 65-6 | — No.2: Chorus & Solo: “O Heil Euch, Ihr Erlösten…” | |
| 65-7 | — No.2: “Doch Weh! Die Frech Entehren” | |
| 65-8 | — No.3: Recitative: “Verkündet, Seraph, Mir Dein Mund…” | |
| 65-9 | — No.3: Duet: “So Ruhe Denn Mit Ganzer Schwere” | |
| 65-10 | — No.4: Recitative: “Willkommen, Tod!…” | |
| 65-11 | — No.4: Chorus: “Wir Haben Ihn Gesehen” | |
| 65-12 | — No.5: Recitative: “Die Mich Zu Fangen Ausgezogen Sind…” | |
| 65-13 | — No.5: Chorus: “Hier Ist Er, Der Verbannte” | |
| 65-14 | — No.6: Recitative: “Nicht Ungestraft Soll Der Verwegnen Schar…” | |
| 65-15 | — No.6: Trio: “Im Meinen Adern Wühlen Gerechter Zorn Und Wut…” | |
| 65-16 | — No.6: Chorus & Solo: “Auf! Auf! Ergreifet Den Verräter” | |
| 65-17 | — No.6: Chorus: “Welten Singen Dank Und Ehre… Preist Ihn, Ihr Engelchöre” | |
| Mass In D, Op.123 "Missa Solemnis" | ||
| 66-1 | — I. Kyrie | |
| 66-2 | — II. Gloria In Excelsis Deo | |
| 66-3 | — II. Qui Tollis | |
| 66-4 | — II. Quoniam Tu Solus Sanctus | |
| 66-5 | — III. Credo In Unum Deum | |
| 66-6 | — III. Et Incarnatus Est | |
| 66-7 | — III. Et Resurrexit | |
| 66-8 | — IV. Sanctus | |
| 66-9 | — IV. Benedictus | |
| 66-10 | — V. Angus Dei | |
| 66-11 | — V. Dona Nobis Pacem | |
| Mass In C, Op.86 | ||
| 67-1 | — I. Kyrie | |
| 67-2 | — II. Gloria | |
| 67-3 | — III. Credo | |
| 67-4 | — IV. Sanctus | |
| 67-5 | — V. Agnus Dei | |
| 68-1 | Meeresstille Und Glückliche Fahrt, Op.112 | |
| 68-2 | Sanft Wie Du Lebtest, Op.118 | |
| 68-3 | Die Flamme Lodert, Op.121B | |
| 68-4 | In Allen Guten Stunden, Op.122 | |
| Der Glorreiche Augenblick, Op.136 | ||
| 68-5 | — I. Europa Steht! (Chorus) | |
| 68-6 | — II. Recitative: O Seht Sie Nah' Und Näher Treten! (Führer Des Volkes, Genius, Chorus) | |
| 68-7 | — III. Aria With Chorus: O Himmel, Welch' Entzücken! (Vienna, Chorus) | |
| 68-8 | — IV. Recitative: Das Auge Schaut (Seherin, Chorus) | |
| 68-9 | — V. Recitative & Quartet: Der Den Bund Im Sturme Festghalten (Seherin, Vienna, Führer Des Volkes, Genius) | |
| 68-10 | — VI. Es Treten Hervor (Chorus) | |
| Auf Den Tad Kaiser Josephs II, WoO 87 | ||
| 69-1 | — Chorus: Tot! Tot, Stöhnt Es Durch Die Öde Nacht | |
| 69-2 | — Recitative: Ein Ungeheuer, Sein Name Fanatismus | |
| 69-3 | — Aria: Da Kam Joseph | |
| 69-4 | — Aria, Chorus: Da Stiegen Die Menschen Ans Licht | |
| 69-5 | — Recitative: Er Schläft | |
| 69-6 | — Aria: Hier Schlummert Seinen Stillen Frieden | |
| 69-7 | — Chorus: Tot! Tot, Stöhnt Es Durch Die Öde Nacht | |
| Auf Die Erhebung Leopolds II. Zur Kaiserwürde, WoO 88 | ||
| 69-8 | — Recitative: Er Schlummert… | |
| 69-9 | — Aria: Fliesse, Wonnezähre, Fliesse! | |
| 69-10 | — Recitative: Ihr Staunt, Völker Der Erde! | |
| 69-11 | — Recitative: Wie Bebt Mein Herz Vor Wonne! | |
| 69-12 | — Trio: Ihr, Die Joseph Ihren Vater Nannten | |
| 69-13 | — Chorus: Heil! Stürzet Nieder, Millionen | |
| 69-14 | Chorus For The Allied Princes, WoO 95: “Ihr Weisen Gründer” | |
| 69-15 | Un Lieto Brindisi, WoO 103 | |
| Hochzeitslied, WoO 105 | ||
| 69-16 | — First Version (In C), Hess 125 | |
| 69-17 | — Second Version (In A), Hess 124 | |
| 69-18 | “Lobkowitz Birthday” Cantata, WoO 106 | |
| 70-1 | Scene & Aria: “Ah! Perfido” … “Per Pietà, Non Dirmi Addio” Op.65 | |
| 70-2 | Trio: “Tremate, Empi, Tremate” Op.116 | |
| 70-3 | Singspiel Aria: “Prüfung Des Küssens” WoO 89 | |
| 70-4 | Singspiel Aria: “Mit Mädeln Sich Vertragen” WoO 90 | |
| 70-5 | Scene & Aria: “Primo Amore” WoO 92 | |
| 70-6 | Scene & Aria: “No, Non Turbati” WoO 92A | |
| 70-7 | Duet: “Ne' Giorni Tuoi Felici” WoO 93 | |
| 71-1 | Adelaide, Op.46 | |
| 71-2 | An Die Hoffnung (II), Op.94 | |
| 71-3 | An Die Hoffnung (I), Op.32 | |
| 71-4 | Der Kuß, Op.128 | |
| 6 Lieder, Op.48 | ||
| 71-5 | — I. Bitten | |
| 71-6 | — II. Die Liebe Des Nächsten | |
| 71-7 | — III. Vom Tode | |
| 71-8 | — IV. Die Ehre Gottes Aus Der Natur | |
| 71-9 | — V. Gottes Macht Und Vorsehung | |
| 71-10 | — VI. Bußlied | |
| 8 Lieder On Various Poets, Op.52 | ||
| 71-11 | — No.1: Urians Reise Um Die Welt | |
| 71-12 | — No.2: Feuerfarb' | |
| 71-13 | — No3: Das Liedchen Von Der Ruhe | |
| 71-14 | — No.4: Maigesang (Mailied) | |
| 71-15 | — No.5: Lebe Wohl, Du Mann Der Lust Und Schmerzen (Mollys Abschied) | |
| 71-16 | — No.6: Die Liebe | |
| 71-17 | — No.7: Marmotte | |
| 71-18 | — No.8: Das Blümchen Wunderhold | |
| 4 Ariettas & A Duet, Op.82 | ||
| 71-19 | — No.1: Dimmi, Ben Mio, Che M'ami (Hoffnung) | |
| 71-20 | — No.2: T'intendo, Sì, Mio Cor (Liebes-Klage) | |
| 71-21 | — No.3: Arietta Buffa: Che Fa Il Mio Bene? L'amante Impatiente (Still Frage) | |
| 71-22 | — No.4: Arietta Assai Seriosa: Che Fa Il Mio Benne? L'amante Impatiente (Liebesungeduld) | |
| 71-23 | — No.5: Odi L'aura Che Dolce Sospira (Lebensgenuß) | |
| 71-24 | Trinklied (beim Abschied Zu Singen), WoO 109: “Erhebt Das Glas Mit Froher Hand” | |
| 71-25 | Punschlied, WoO 111 | |
| 71-26 | Que Le Temps Me Dure, Woo 116: First Version (In C Minor), Hess 129 | |
| 71-27 | O Care Selve, WoO 119 | |
| 71-28 | An Die Geliebte, WoO 140 | |
| 6 Songs, Op.75 | ||
| 72-1 | — No.1: Kennst Du Das Land (Mignonslied) | |
| 72-2 | — No.2: Neue Liebe, Neues Leben (II) | |
| 72-3 | — No.3: Aus Goethes Faust | |
| 72-4 | — No.4: Gretels Warnung | |
| 72-5 | — No.5: An Den Fernen Geliebten | |
| 72-6 | — No.6: Der Zufriedene | |
| 72-7 | Schilderung Eines Mädchens, Woo 107 | |
| 72-8 | Selbstgespräch, WoO 114 | |
| 2 Songs, WoO 118 | ||
| 72-9 | — Seufzer Eines Ungeliebten | |
| 72-10 | — Gegenliebe | |
| 72-11 | Zärtliche Liebe, WoO 123: “Ich Liebe Dich, Sowie Du Mich” | |
| 72-12 | La Partenza, Woo 124 (Der Abschied) | |
| 72-13 | Opferlied, WoO 126: “Die Flamme Lodert” | |
| 72-14 | Plaisir D'aimer, WoO 128 (Romance) | |
| 72-15 | Der Wachtelschlag, WoO 129 | |
| 72-16 | Gedenke Mein, WoO 130 | |
| 72-17 | Als Die Geliebte Sich Trennen Wollte, WoO 132 | |
| 72-18 | Arietta: In Questa Tomba Oscura, WoO 133 | |
| 72-19 | Die Laute Klage, WoO 135 | |
| 72-20 | Andenken, WoO 136 | |
| 72-21 | Lied Aus Der Ferne, WoO 137 | |
| 72-22 | Der Jüngling In Der Fremde, WoO 138 | |
| 72-23 | Der Liebende, WoO 139 | |
| 72-24 | Der Bardengeist, WoO 142 | |
| 72-25 | Das Geheimnis, WoO 145 (Liebe Und Wahreit) | |
| 72-26 | Sehnsucht (III), WoO 146 | |
| 72-27 | Ruf Vom Berge, WoO 147 | |
| 72-28 | Resignation, WoO 149 | |
| 72-29 | Abendlied Unterm Gestirnten Himmel, WoO 150 | |
| 3 Songs, Op.83 | ||
| 73-1 | — No.1: Wonne Der Wehmut | |
| 73-2 | — No.2: Sehnsucht (II) | |
| 73-3 | — Mit Einem Gemalten Band | |
| An Die Ferne Geliebte, Op.98 | ||
| 73-4 | — No.1: Auf Dem Hügel Sitz' Ich, Spähend | |
| 73-5 | — No.2: Wo Die Berge So Blau | |
| 73-6 | — No.3: Leichte Segler In Den Höhen | |
| 73-7 | — No.4: Diese Wolken In Den Höhen | |
| 73-8 | — No.5:. Es Kehret Der Maien, Es Blühet Die Au | |
| 73-9 | — No.6: Nimm Sie Hin Denn, Diese Lieder | |
| 73-10 | Das Glück Der Freundschaft (Lebensglück), Op.88 | |
| 73-11 | Der Mann Von Wort, Op.99 | |
| 73-12 | Merkenstein (II), Op.100 | |
| 73-13 | An Einen Säugling, Woo 108 | |
| 73-14 | Elegie Auf Den Tod Eines Pudels, WoO 110 | |
| 73-15 | An Laura, WoO 112 | |
| 73-16 | Klage, WoO 113 | |
| 73-17 | An Minna, WoO 115 | |
| 73-18 | Que Le Temps Me Dure, WoO 116: Second Version (In C), Hess 130 | |
| 73-19 | Der Freie Mann, WoO 117 | |
| 73-20 | Man strebt, Die Flamme Zu Verhehlen, WoO 120 | |
| 73-21 | Abschiedsgesang An Wiens Bürger, WoO 121 | |
| 73-22 | Kriegslied Der Österreicher, WoO 122 | |
| 73-23 | La Tiranna, WoO 125 | |
| 73-24 | Neue Liebe, Neues Leben (I), WoO 127 | |
| Sehnsucht (I), WoO 134 | ||
| 73-25 | — First Setting | |
| 73-26 | — Second Setting | |
| 73-27 | — Third Setting | |
| 73-~28 | — Fourth Setting | |
| 73-29 | Der Gesang Der Nachtigall, WoO 141 | |
| 73-30 | Des Kriegers Abschied, WoO 143 | |
| 73-31 | Merkenstein (I), WoO 144 | |
| 73-32 | So Oder So, WoO 148 | |
| 73-33 | Der Edle Mensch Sei Hilfreich Und Gut, WoO 151 | |
| 25 Scottish Songs, Op.108 | ||
| 74-1 | — No.1, Music, Love And Wine | |
| 74-2 | — No.2, Sunset | |
| 74-3 | — No.3, O Sweet Were The Hours | |
| 74-4 | — No.4, The Maid Of Isla | |
| 74-5 | — No.5, The Sweetest Lad Was Jamie | |
| 74-6 | — No.6, Dim, Dim Is My Eye | |
| 74-7 | — No.7, Bonnie Laddie, Highland Laddie | |
| 74-8 | — No.8, The Lovely Lass Of Inverness | |
| 74-9 | — No.9, Behold, My Love, How Green The Groves | |
| 74-10 | — No.10, Sympathy | |
| 74-11 | — No.11, Oh, Thou Art The Lad Of My Heart, Willy | |
| 74-12 | — No.12, Oh, Had My Fate Been Join'd With Thine | |
| 74-13 | — No.13, Come Fill, Fill, My Good Fellow | |
| 74-14 | — No.14, O How Can I Be Blithe And Glad | |
| 74-15 | — No.15, O Cruel Was My Father | |
| 74-16 | — No.16, Could This Ill World Have Been Contriv'd | |
| 74-17 | — No.17, O Mary, At Thy Window Be | |
| 74-18 | — No.18, Enchantress, Farewell | |
| 74-19 | — No.19, O Swiftly Glides The Bonny Boat | |
| 74-20 | — No.20, Faithfu' Johnie | |
| 74-21 | — No.21, Jeanie's Distress | |
| 74-22 | — No.22, The Highland Watch | |
| 74-23 | — No.23, The Shepherd's Song | |
| 74-24 | — No.24, Again, My Lyre, Yet Once Again | |
| 74-25 | — No.26, Sally In Our Alley | |
| 63 Irish Songs, WoO 152, Part 1 | ||
| 74-26 | — No.1, The Return To Ulster | |
| 74-27 | — No.2, Sweet Power Of Song | |
| 74-28 | — No.3, Once More I Hail Thee | |
| 75-1 | — No.4, The Morning Air Plays On My Face | |
| 75-2 | — No.5, On The Massacre Of Glencoe | |
| 75-3 | — No.6, What Shall I Do To Shew How Much I Love Her? | |
| 75-4 | — No.7, His Boat Comes On The Sunny Tide | |
| 75-5 | — No.8, Come Draw We Round A Cheerful Ring | |
| 75-6 | — No.9, Our Bugles Sung Truce (Or The Soldier's Dream) | |
| 75-7 | — No.10, The Deserter | |
| 75-8 | — No.11, Thou Emblem Of Faith (Upon Returning Of A Ring) | |
| 75-9 | — No.12, English Bulls (Or The Irishman In London) | |
| 75-10 | — No.13, Musing On The Roaring Ocean | |
| 75-11 | — No.14, Dermot And Shelah | |
| 75-12 | — No.15, Let Brain-Spinning Swains | |
| 75-13 | — No.16, Hide Not Thy Anguish | |
| 75-14 | — No.17, In Vain To This Desert My Fate I Deplore | |
| 75-15 | — No.18, They Bid Me Slight My Dermot Dear | |
| 75-16 | — No.19, Wife, Children And Friends | |
| 75-17 | — No.20, Farewell Bliss And Farewell Nancy | |
| 75-18 | — No.21, Morning A Cruel Turmoiler Is | |
| 75-19 | — No.22, From Garyone, My Happy Home (1st Version) | |
| 75-20 | — No.22, From Garyone, My Happy Home (2nd Version) | |
| 75-21 | — No.23, A Wand'ring Gypsey, Sirs, Am I | |
| 75-22 | — No.24, The Traugh Welcome | |
| 75-23 | — No.25, Oh Harp Of Erin | |
| 75-24 | — No.26, When Eve's Last Rays In Twilight Die | |
| 75-25 | — No.27, No Riches From His Scanty Store | |
| 75-26 | — No.28, The British Light Dragoons | |
| 75-27 | — No.29, Since Greybeards Inform Us That Youth Will Decay | |
| 63 Irish Songs, WoO 153, Part 2 | ||
| 75-28 | — No.30, I Dream'd I Lay Where Flow'rs Were Springing | |
| 75-29 | — No.31, The Hero May Perish | |
| 75-30 | — No.32, Sad And Luckless Was The Season | |
| 76-1 | — No.33, O Soothe Me, My Lyre | |
| 76-2 | — No.34, By The Side Of The Shannon | |
| 76-3 | — No.35, Norah Of Balamagairy | |
| 76-4 | — No.36, The Kiss, Dear Maid, Thy Lip Has Left | |
| 76-5 | — No.37, The Soldier | |
| 76-6 | — No.38, Oh! Thou Hapless Soldier | |
| 76-7 | — No.39, The Elfin Fairies | |
| 76-8 | — No.40, When Far From The Home | |
| 76-9 | — No.41, I'll Praise The Saints | |
| 76-10 | — No.42, Put Round The Bright Wine | |
| 76-11 | — No.43, The Wandering Minstrel | |
| 76-12 | — No.44, 'Tis Sunshine At Last | |
| 76-13 | — No.45, O Who, My Dear Dermont | |
| 76-14 | — No.46, The Pulse Of An Irishman | |
| 76-15 | — No.47, Paddy O'Rafferty | |
| 76-16 | — No.48, Oh! Would I Were But That Sweet Linnet! | |
| 76-17 | — No.49, 'Tis But In Vain, For Nothing Thrives | |
| 76-18 | — No.50, Save Me From The Grave And Wise | |
| 76-19 | — No.51, A Health To The Brave | |
| 76-20 | — No.52, He Promisedd Me At Parting | |
| 76-21 | — No.53, O Might I But My Patrick Love | |
| 76-22 | — No.54, Come, Darby Dear, Easy, Be Easy | |
| 76-23 | — No.55, The Soldier In A Foreign Land | |
| 76-24 | — No.56, No More, My Mary, I Sigh For Splendour | |
| 76-25 | — No.57, Judy, Lovely, Matchless Creature | |
| 76-26 | — No.58, Thy Ship Must Sail, My Henry Dear | |
| 76-27 | — No.59, The Farewell Song | |
| 76-28 | — No.60, Lament For Owen Roe O'Neill | |
| 76-29 | — Part 3: No.61, Adieu, My Lov'd Harp | |
| 76-30 | — Part 3: No.62, Castle O'Neill | |
| 76-31 | — Part 3: No.63, Since All Thy Vows (Robin Adair) | |
| 26 Welsh Songs, WoO 155 | ||
| 77-1 | — No.1, Sion, The Son Of Evan | |
| 77-2 | — No.2, The Monks Of Bangor's March | |
| 77-3 | — No.3, The Cottage Maid | |
| 77-4 | — No.4, Love Without Hope | |
| 77-5 | — No.5, The Golden Robe | |
| 77-6 | — No.6, The Fair Maid Of Mona | |
| 77-7 | — No.7, Oh Let The Night My Blushes Hide | |
| 77-8 | — No.8, Farewell, Thou Noisy Town | |
| 77-9 | — No.9, To The Aeolian Harp | |
| 77-10 | — No.10, Ned Pugh's Farewell | |
| 77-11 | — No.11, Merch Megan (Peggy's Daughter) | |
| 77-12 | — No.12, Waken, Lords And Ladies Gay | |
| 77-13 | — No.13, Helpless Woman | |
| 77-14 | — No.14, The Dream | |
| 77-15 | — No.15, When Mortals All To Rest Retire | |
| 77-16 | — No.16, The Damsels Of Cardigan | |
| 77-17 | — No.17, The Dairy House | |
| 77-18 | — No.18, Sweet Richard | |
| 77-19 | — No.19, The Vale Of Clwyd | |
| 77-20 | — No.20, To The Blackbird | |
| 77-21 | — No.21, Cupid's Kindness | |
| 77-22 | — No.22, Constancy | |
| 77-23 | — No.23, The Pleasant Home (The Old Strain) | |
| 77-24 | — No.24, Three Hundred Pounds | |
| 77-25 | — No.25, The Parting Kiss | |
| 77-26 | — No.26, Good Night | |
| 22 Scottish Songs, WoO 156 | ||
| 78-1 | — No.1, (Untitled, Without Words) | |
| 78-2 | — No.2, Erin! O Erin! | |
| 78-3 | — No.3, O Mary, Ye's Be Clad In Silk | |
| 78-4 | — No.4, Highland Harry (My Harry Was A Gallant Gay) | |
| 78-5 | — No.5, Oh Ono Chri, Oh | |
| 78-6 | — No.6, Red Gleams The Sun On Yon Hill Top | |
| 78-7 | — No.7, Sir Johnnie Cope | |
| 78-8 | — No.8, Sweet Annie Frae The Sea Beach Came (Lachnager) | |
| 78-9 | — No.9, Duncan Cray | |
| 78-10 | — No.10, She's Fair And Fouse (Womankind) | |
| 78-11 | — No.11, Auld Lang Syne | |
| 78-12 | — No.12, Dark Was The Morn (The Quaker's Wife) | |
| 78-13 | — No.13, Low Down In The Broom (Ye Shepherds) | |
| 78-14 | — No.14, From Thee, Eliza, I Must Go | |
| 78-15 | — No.15, Polly Stewart | |
| 78-16 | — No.16, Charlie Is My Darling | |
| 78-17 | — No.17, Up! Quit Thy Bower | |
| 78-18 | — No.18, Glencoe | |
| 78-19 | — No.19, The Banner Of Buccleuch | |
| 78-20 | — No.20, The Highlander's Lament (My Harry Was A Gallant Gay) | |
| 78-21 | — No.21, Mark Yonder Pomp Of Costly Fashion | |
| 78-22 | — No.22, Bonnie Wee Thing | |
| 4 English Songs, WoO 157 | ||
| 78-23 | — No.1, When My Hero In Court Appears | |
| 78-24 | — No.2, Cease Your Funning | |
| 78-25 | — No.3, God Save The King | |
| 78-26 | — No.4, The Miller Of Dee | |
| 29 Songs Of Various Nations, WoO 158 | ||
| 79-1 | — No.1, Ridder Stigs Runer | |
| 79-2 | — No.2, Horch Auf, Mein Liebchen | |
| 79-3 | — No.3, Wegen Meiner Bleib D’Fräula | |
| 79-4 | — No.4, Wann I In Der Früh Aufsteh | |
| 79-5 | — No.5,Teppichkrämer-Lied | |
| 79-6 | — No.6, A Madel, Ja A Madel | |
| 79-7 | — No.7, Wer Solche Buema Afipackt | |
| 79-8 | — No.8, Ih Mag Di Nit Nehma | |
| 79-9 | — No.9, Oj, Oj Upiłem Się Karzcmie | |
| 79-10 | — No.10, Poszła Baba Po Popiół | |
| 79-11 | — No.11, Yo No Quiero Embarcarme | |
| 79-12 | — No.12, Seus Lindos Olhos | |
| 79-13 | — No.13, Vo Lesocke Komarochkov Mnogo Urodilos' | |
| 79-14 | — No.14, Akh, Rechen'ki, Rechen'ki | |
| 79-15 | — No.15, Kak Posli Nasi Podruzki | |
| 79-16 | — No.16, Schöne Minka, Ich Muss Scheiden | |
| 79-17 | — No.17, Lilla Carl | |
| 79-18 | — No.18, An Ä Bergli Bin I Gesässe | |
| 79-19 | — No.19, Una Ploma Blanca | |
| 79-20 | — No.20, Como la Mariposa Soy | |
| 79-21 | — No.21, Tiranilla Española | |
| 79-22 | — No.22, Édes Kinos Emlékezet | |
| 79-23 | — No.23, Da Brava, Catina | |
| 79-24 | — No.24, Non, Non, Colette N'est Point Trompeuse | |
| 79-25 | — No.25, Air Français | |
| 79-26 | — No.26, O Sanctissima | |
| 79-27 | — No.27, La Gondoletta | |
| 79-28 | — No.28, Das Liebe Kätzchen | |
| 79-29 | — No.29, Der Knabe Auf Dem Berge | |
| 79-30 | O Hoffnung, WoO 200 | |
| 79-31 | Abschiedsgesang, WoO 102 | |
| Polyphonic Italian Songs, WoO 99 | ||
| 80-1 | — No.1: Bei Labbri, Che Amore | |
| 80-2 | — No.2: Ma Tu Tremi, O Mi Tesoro | |
| 80-3 | — No.3: E Pur Fra Le Tempeste | |
| 80-4 | — No.4: Sei Mio Ben | |
| 80-5 | — No.5a: Giura Il Nocchier (Version 1) | |
| 80-6 | — No.5b: Giura Il Nocchier (Version 2) | |
| 80-7 | — No.5c: Giura Il Nocchier (Version 3) | |
| 80-8 | — No.7: Chi Mai Di Questo Core | |
| 80-9 | — No.8: Scrivo In Te | |
| 80-10 | — No.9: Per Te D'amico Aprile | |
| 80-11 | — No.10a: Nei Campi E Nelle Selve | |
| 80-12 | — No.10b: Nei Campi E Nelle Selve (Corrected By Salieri) | |
| 80-13 | — No.11A: Fra Tutte Le Pene (Version 1) | |
| 80-14 | — No.11A: Fra Tutte Le Pene (Version 1, Corrected By Salieri) | |
| 80-15 | — No.11B: Fra Tutte Le Pene (Version 2) | |
| 80-16 | — No.11B: Fra Tutte Le Pene (Version 2, Corrected By Salieri) | |
| 80-17 | — No.11C: Fra Tutte Le Pene (Version 3) | |
| 80-18 | — No.11C: Fra Tutte Le Pene (Version 3, Corrected By Salieri) | |
| 80-19 | — No.12: Salvo Tu Vuoi Lo Sposo | |
| 80-20 | — No.13A: Quella Cetra Ah Pur Tu Sei (Version 1) | |
| 80-21 | — No.13B: Quella Cetra Ah Pur Tu Sei (Version 2) | |
| 80-22 | — No.13C: Quella Cetra Ah Pur Tu Sei (Version 3) | |
| 80-23 | — No.14A: Già La Notte S'avvicina (Version 1) | |
| 80-24 | — No.14B: Già La Notte S'avvicina (Version 2) | |
| Cannons And Musical Jokes | ||
| 80-25 | — Languisco E Moro, Hess 229 | |
| 80-26 | — Lob Auf Den Dicken, WoO 100 | |
| 80-27 | — Graf, Graf, Liebster Graf, WoO 101 | |
| 80-28 | — Im Arm Der Liebe Ruht Sich's Wohl, WoO 159 | |
| 80-29 | — Ewig Dein, WoO 161 | |
| 80-30 | — Ta Ta Ta…, WoO 162 | |
| 80-31 | — Kurz Ist Der Schmerz, WoO 163 | |
| 80-32 | — Freundschaft Ist Die Quelle Wahrer Glückseligkeit, WoO 164 | |
| 80-33 | — Glück Zum Neuen Jahr, WoO 165 | |
| 80-34 | — Kurz Ist Der Schmerz, WoO 166 | |
| 80-35 | — Brauchle, Linke, WoO 167 | |
| 80-36 | — Das Schweigen: “Lerne Schweigen, O Freund”, WoO 168 No.1 | |
| 80-37 | — Das Reden: “Rade, Wenn's Um Einen Freund Dir Gift”, WoO 168 No.2 | |
| 80-38 | — Ich Küsse Sie…, WoO 169 | |
| 80-39 | — Ars Longa, Vita Brevis (I), WoO 170 | |
| 80-40 | — Glück Fehl' Dir Vor Allem, WoO 171 | |
| 80-41 | — Ich Bitt' Dich, Schreib Mir Die Es-Scala Auf, WoO 172 | |
| 80-42 | — Hol' Euch Der Teufel! B'hüt' Euch Gott, WoO 173 | |
| 80-43 | — Glaube Und Hoffe, WoO 174 | |
| 80-44 | — Sankt Petrus War Ein Fels…, WoO 175 | |
| 80-45 | — Bernardus War Ein Sankt, WoO 175 | |
| 80-46 | — Glück, Glück Zum Neuen Jahr, WoO 176 | |
| 80-47 | — Bester Magistrat, Ihr Friert, WoO 177 | |
| 80-48 | — Signor Abate…, WoO 178 | |
| 80-49 | — Seiner Kaiserlichen Hoheit…, Alles Gute, Alles Schöne, WoO 179 | |
| 80-50 | — Hoffmann, Sei Ja Kein Hofmann, WoO 180 | |
| 80-51 | — Gedenket Heute An Baden, WoO 181 No.1 | |
| 80-52 | — O Tobias!, WoO 182 | |
| 80-53 | — Bester Herr Graf, Sie Sind Ein Schaf, WoO 183 | |
| 80-54 | — Falstafferel, Lass' Dich Sehen!, WoO 184 | |
| 80-55 | — Edel Sei Der Mensch, Hilfreich Und Gut, WoO 185 | |
| 80-56 | — Te Solo Adoro, WoO 186 (Version 1) | |
| 80-57 | — Te Solo Adoro, WoO 186 (Version 2) | |
| 80-58 | — Te Solo Adoro, WoO 186 (Version 3) | |
| 80-59 | — Schwenke Dich Ohne Schwänke, WoO 187 | |
| 80-60 | — Gott Ist Eine Feste Burg, WoO 188 | |
| 80-61 | — Doktor, Sperrt Das Tor Dem Tod, WoO 189 | |
| 80-62 | — Ich War Hier, Doktor, Ich War Hier, WoO 190 | |
| 80-63 | — Kühl, Nicht Lau, WoO 191 | |
| 80-64 | — Ars Longa, Vita Brevis (II), WoO 192 | |
| 80-65 | — Ars Longa, Vita Brevis (III), WoO 193 | |
| 80-66 | — Si Non Per Portas, Per Muros, WoO 194 | |
| 80-67 | — Freu' Dich Des Lebens, WoO 195 | |
| 80-68 | — Es Muss Sein…, WoO 196 | |
| 80-69 | — Da Ist Das Werk…, WoO 197 | |
| 80-70 | — Wir Irren Allesamt, WoO 198 | |
| 80-71 | — Ich Bin Der Herr Von Zu, Du Bist Der Herr Von Von, WoO 199 | |
| 80-72 | — Das Schöne Zum Dem Guten, WoO 203 | |
| 80-73 | — Herr Graf, Ich Komme Zu Fragen, WoO 221 | |
| 80-74 | — Esel Aller Esel, WoO 227 |
